A NEAR-RIOT marred the premiere of Irving Vanderblock-Wheedle’s new experimental drama Exeunt Omnes last night, as hundreds of disgruntled patrons demanded their money back. According to one ticket-holder, as soon as the curtain rose, all the actors walked off stage and never came back. In an email exchange, Mr. Vanderblock-Wheedle said that his play is a witty and ironic commentary on modern society’s demand for incessant entertainment, and as such was worth every penny of the ticket price.
August 18th, 2012 | 7:35 pm | #1
The next step would be a play consisting of exists and entrances.
August 18th, 2012 | 10:59 pm | #2
Nice freudian typo. A play consisting of nonexists would be an interesting surrealist take on theater conventions.
August 19th, 2012 | 9:05 am | #3
Why even go to the theatre? Could not a performance consist of a number of isolated individuals considering, then rejecting, a visit to the theatre?
August 19th, 2012 | 5:54 pm | #4
Martin,
Why all the focus on freudian typoes when jungian typoes are so much more fun?
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