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Sunday, July 10, 2011, 10:34 PM

Over at ISI’s blog, Jennifer Hooten ranks Walker Percy’s The Moviegoer as #3 on her Five Books Every American Should Read list. Her summary of the novel runs through themes discussed at this blog e.g. homelessness, social selves.

Like The Moviegoer, Percy’s Love in the Ruins has the hero undergo a similar character development.  Both novels also have secondary characters which are human signposts (Binx’s brother, More’s daughter) for the main characters.  These human signposts or saints are absent in the later novels.  Is Percy getting darker or is this a development of his ‘Indirect Communication’?   He writes: “My theory (like Flannery’s) is that the times are such that the language of religion is so exhausted, de trop, that the tactic of the apologist must be indirect, perhaps even devious. More devious even than S[oren] K[ierkegaard]”

Percy and O’Connnor’s method has certainly made them amenable to Sophisticated or Secular Americans today, but it also makes them vulnerable to misinterpretation as well. Flannery O’Connor had to write a Note to the 2nd edition of Wise Blood in order to clarify its meaning.  Their fictional worlds are strange lands so without a point in the right direction, the reader is likely to get lost.

 


Thursday, July 7, 2011, 10:01 PM

The latest in the series, X-Men: First Class covers the same thematic material as its predecessors.  The importance of TOLERANCE is stressed, but not in the classical sense of putting up with objectionable practices, nor Jerry Seinfield’s non-judgementalism (“Not that there is anything wrong with that!”).  Instead, it is the Modern Liberal notion of societal approval.  Being accepted by others is what drives Hank McCoy (Beast) to hide his mutation.

Betting one’s happiness on what others think of you is a risky proposition, as Aristotle tells us, and so McCoy’s hankering for human respect turns out to backfire on him. Raven, after some soul searching, rejects McCoy’s inclusion idea in favor of Self-acceptance. “Mutant and proud!” she proclaims. Substitute the word “Gay” for “Mutant” and you have the lesson for the day.

Yet even her Sovereign Self seems anxious with such a final account of things. She quickly flakes out and buys into Erik Lehnsherr’s (Magneto’s) version of SOCIAL DARWINISM. For Eric, the dignity of the human person is replaced with the survival of the fittest. Mutants are the next stage of evolution and their might should make right. Magneto is the series’ villain and his master morality sales pitch has repeatedly siphoned off X-Men recruits throughout the films, which makes you wonder whether Professor X’s preaching on diversity and tolerance requires a more solid ground than his choir realizes.

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