http://www.firstthings.com/article/2010 ... quos-musicLate in the nineteenth century, men and women in apparent possession of their senses heard Richard Wagner’s new operas and announced that their lives had changed forever. Charles Baudelaire saw Tannhäuser in 1861 and gushed, “Listening to this impassioned, despotic music, painted upon the depths of darkness, riven by dreams, it seems like the vertiginous imaginings of opium.” (Baudelaire, author of The Flowers of Evil, meant this as a compliment.) The twenty-three-year-old Gustav Mahler, after hearing Parsifal, wrote, “I understood that the greatest and most painful revelation had just been made to me, and that I would carry it unspoiled for the rest of my life.” For the first time in history, a composer lent his name to a cultural movement with ramifications far beyond music. As Adolf Hitler observed in 1943, “At the beginning of this century there were people called Wagnerians. Other people had no special name.”