The Man Who Stole the World
by John WatersBowie was a canary in the coal mine of post-1960s culture, plumbing its depths and soaring above almost everyone else. Continue Reading »
Bowie was a canary in the coal mine of post-1960s culture, plumbing its depths and soaring above almost everyone else. Continue Reading »
Rock and roll has a rebellious sound. I write that hesitantly, because there is really no such thing as rock and roll, in terms of having a permanent nature or ongoing essence. Speed, loudness, and distorted acoustical effects do not a musical genre make. Rock is a mishmash of various musical . . . . Continue Reading »
On February 9, I had the pleasure of finally seeing one of my favorite bands for the first timea progressive rock supergroup called Transatlantic. Because all of my friends are too respectable for such things, I made my journey to the concert alone. For a progressive rock supergroup, however, Transatlantic has an excellent pedigree: The band was founded in 1999 as a side project of four progressive rock musicians from America and Europe (hence the name Transatlantic): Neal Morse, then of Spock’s Beard; Mike Portnoy, then the drummer for Dream Theater; Roine Stolt, the lead guitarist of The Flower Kings; and Pete Trewevas, the bassist from Marillion. Continue Reading »