Art gives us structure and clarity; it helps us make sense of the disorder of life. Will Arbery’s Corsicana is a weird play, but you will feel warmer for having seen it—and maybe a little wiser, too. Continue Reading »
The sole remaining source of authority, in the world of the new future history play Charles III, is vulnerability. Continue Reading »
Roe tells the stories of women who wanted an abortion and found it hard to get. The play never imagines what it’s like to believe abortion is wrong when all the authorities and powers in your life are lined up to pressure you to violate your conscience. Continue Reading »
Looking back on her life, Patty Duke emphasized the importance of her faith, long-time husband, and reconciled family, saying that despite everything that had befallen her—abuse, several broken marriages, and a severe emotional illness—“I’ve been richly blessed. When I pray, I never ask for material things. I offer only prayers of gratitude.” Continue Reading »
The Oregon Shakespeare Festival is launching a three-year project to commission 36 pairs of playwrights and dramaturges to translate the works of Shakespeare into English. Yes, English. John McWhorter in the Wall Street Journal expresses support for this plan, saying, “Much of Shakespeare goes . . . . Continue Reading »
There is a block in Brooklyn where it storms every day—twice a day, on Sundays. It’s been storming since January, and it’ll last till May—and then the storm will spread out all over New York. On one side of the street, at the Brooklyn Academy of Music, Angus Jackson’s . . . . Continue Reading »
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