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Monumental Contrast

In the annals of monumental sculpture, James Earle Fraser’s equestrian statue of Theodore Roosevelt hardly ranks as a masterpiece. The Rough Rider is portrayed in frontiersman’s garb and flanked by two figures on foot: a Plains Indian and an African tribesman. Prominently sited before the august . . . . Continue Reading »

The Florentine Pietà

In the late 1540s, an aging Michelangelo embarked on what he intended to be his culminating sculptural work, commonly known as the Florentine Pietà. Still heavily tasked with official commissions—foremost among them the rebuilding of St. Peter’s—and sometimes incapacitated by . . . . Continue Reading »

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