Duncan Stroik

Throughout history, times of plague and catastrophe have called for serious responses in the form of churches and sacred art.  Continue Reading »

When I attended architecture school in the 1980s, I was rather skeptical of the modernist project. Instead, I adhered to the novel idea that it was more important for buildings to be beautiful, harmonious, and ennobling than to be cutting edge. After rejecting the common wisdom that architecture . . . . Continue Reading »