In the first of two reviews of the Oscar-winning film, A Separation , Eve Tushet considers the impossibility of divorce :
An older man I know once remarked that in his experience, there wasn’t much point in arguing that divorce was wrong. What he’d come to believe was that—especially when the couple had children—divorce was simply impossible. These two people would continue to remain yoked to one another’s lives, their memories, griefs, resentments as intertwined as their laddering DNA.
And in the second review, David Schaengold examines the moral realism of director Ashgar Farhadi :
New art works animated by sincere piety are rare in the United States. Still rarer are voices that do not see Islam as a minority protected from oppression or a dangerous threat to American liberty, but instead as a moral-theological system whose insights are relevant to contemporary domestic life. It’s unsurprising, then, that despite the critical adulation received by Ashgar Farhadi’s new film, A Separation, its reviewers seem to have missed that the film is work of sincere religious conviction.
