Over the weekend, courtesy of my friends at Netflicks, the wife and I watched what may be the most under appreciated film in quite some time, The Last Station. Beautifully filmed while adhering closely to period costume, architecture, and environment (1910 Russia) the drama examines both . . . . Continue Reading »
My wife and I went to see Inception Saturday afternoon. I don’t have much ‘good’ to say about the film other than I liked it. It was way to long, and the film itself seemed intent on providing images of some college sophomore’s perspective of T.S Eliot’s ” . . . . Continue Reading »
Creation, a film about Charles Darwin’s personal life, is not a rant against God or even a story of the heroism of one man crusading for science against religion. Surprisingly, the movie is not polemical. It doesn’t bother to argue against religion, nor does it spend time arguing for the . . . . Continue Reading »
“I have hidden your Word in my heart,” Psalm 119:11 The above quote gives us the leitmotif of the movie, The Book of Eli. Eli is the messenger of God, who carries the Logos in his “heart” and represents the last hope of mankind. As the movie opens mankind has engaged in what the . . . . Continue Reading »
Peter’s review of Avatar is a must-read: Avatar isn’t much a movie: Instead, Cameron’s cooked up a derivative, overlong pastiche of anti-corporate clichés and quasi-mystical eco-nonsense. It’s not that the film’s politics make it bad, it’s that . . . . Continue Reading »
The wife and I have a Netflix deal where we get two movies, mail them back, and get two more. I don’t know who came up with the idea but surely the dude’s a millionaire . . . talk about convenient! However, in the spirit of complete disclosure you sometimes get a disc that is so used . . . . Continue Reading »
One thing is certain: the image of America and postmodernism are inextricably bound up with each other. Nay, I will go a step further and say — get ready — that they are “coeval.” (Coeval is a rare term used by a certain philosopher and his acolytes.) How so? Postmodernism in . . . . Continue Reading »
A.O. Scott on the latest Woody Allen film: [ . . . ] Mr. Allen’s imagination has returned to Manhattan after that invigorating European sojourn afflicted by an extreme case of jet lag. In spite of a few up-to-date references — to Barack Obama, red states and gay people, for instance . . . . Continue Reading »
In the Emmy-winning 1997 version of Rebecca , there’s a scene in which the new, young Mrs. de Winter is harassed by one of the film’s less savory characters for claiming to enjoy being alone at the vast Manderlay estate while her husband is away on business. From our present-day . . . . Continue Reading »
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