Among the projects that Julian the Apostate took on was the rebuilding of the temple in Jerusalem. This was intended to deflate Christian apologetics who pointed to the destruction of the temple as a sign of Judaism’s demise and Christianity’s ascendency, both divinely authorized. But . . . . Continue Reading »
Scott is the romantic’s romantic, and yet his novels display the struggle against romance that is common in early novel-writing ( Don Quixote ; Northanger Abbey ). Edward Waverley , the “hero” of the first of Scott’s novels, goes through various adventures with the Jacobite . . . . Continue Reading »
Deepak Lal holds the James S. Coleman Professorship of International Development Studies at UCLA, and has produced a fascinating cross-disciplinary and cross-cultural study of the relation of culture and development, Unintended Consequences (Oxford, 1998). Many of his arguments are unpersuasive, . . . . Continue Reading »
As I’ve thought more about the issues of comedy and tragedy, it has become clear that Christianity not only brings “deep comedy,” but also produces a deepening of tragic sensibility. In one sense, Christianity is utterly opposed to tragedy and its outlook: the religious world of . . . . Continue Reading »
In Ecclesiastes, Solomon repeatedly exhorts his readers to “eat, drink, and rejoice” as a response to the vaporousness of life” “There is nothing better for a man than to eat and drink and tell himself that his labor is good. This also I have seen, that it is from the hand . . . . Continue Reading »
Ecclesiastes teaches that all is vapor, nothing but vapor. Trying to shape and control the world is, Solomon teaches us, like trying to scupt the mist (the image comes from Jim Jordan). Every ancient sage came to the same conclusion as Solomon. But for most ancient sages this realization led either . . . . Continue Reading »
Malvolio, the steward of Olivia’s house in Twelfth Night , has been a problematic figure for many readers and critics. Charles Lamb, who with his wife wrote a book of narrative versions of the plays, saw Malvolio as a tragic figure: “Malvolio is not essentially ludicrous. He becomes . . . . Continue Reading »
Jos de Mul , professor of Philosophical Anthropology at the Erasmus University in Rotterdam , has produced a fascinating book on Wilhelm Dilthey , just released from Yale. The title The Tragedy of Finitude captures the essence of the work. He traces Dilthey’s work back to the . . . . Continue Reading »
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