I wonder: If we take Shakespeare’s Julius Caesar as a play about both ancient and Papal Rome, then the point seems to be that ecclesiastical imperialism is unavoidable, that it will take its vengeance and return in more virulent forms. The “puritans” like Cassius attempt to cut . . . . Continue Reading »
INTRODUCTION Though MSND is set in Athens, there is little in the play that is specifically Greek or Athenian. Theseus is ruling Athens, but he bears little similarity to the Theseus of Plutarch, and he is even anachronistically described as the ?Duke of Athens.?E Bottom and company have nothing . . . . Continue Reading »
ELIZABETHANS AND GREECE Today, many view ancient Greece, and especially ancient Athens, as the fountainhead of Western civilization. This was not the case for medievals, who knew Greek literature in Latin translations. Though Chaucer set some of his works in ancient Greece (?The Knight?s Tale?E . . . . Continue Reading »
Gilbert Highet has a wonderful chapter on translation in the Renaissance in his book, The Classical Tradition . He says that the first translation that we know of was made about 250 BC by the Greek-Roman poet Livius Andronicus, who translated the Odyssey into Latin. This was about the same time . . . . Continue Reading »
I suggested in Against Christianity that worship can be understood as a sequence of postures: We kneel for confession, stand for absolution and service and to hear the word, sit enthroned to eat and drink in God’s presence, then stand to walk out for ministry. It occurs to me that this . . . . Continue Reading »
Lk 9:10-17 The Lord?s Supper has been celebrated in many different ways through the centuries. In many churches, the people come forward and kneel to receive the elements. In the Roman Catholic church, the elevation of the Host has been nearly as important as the communion meal. Some Reformed . . . . Continue Reading »
Rom 6:1-4 Today, we?ve looked at several passages in Romans that display Paul?s interest in the redemption of the body. For Paul, salvation is ultimately about the resurrection and transfiguration of our bodies into bodies of glory, and in the present our salvation is about submitting to a new . . . . Continue Reading »
Our chief goal in organizing the worship of God is to conform to Scriptural patterns of worship. When we look at the whole biblical teaching on worship, we learn that worship is basically covenant renewal, and we also learn that many features of traditional liturgical worship are grounded in . . . . Continue Reading »
It is traditional, and true, to say that the resurrection of the body is still future. What Paul calls the “redemption of our body” (Rom 8) has not occurred; and what he describes as the springing up of a plant from the seed of the dead body (1 Cor 15) is not yet seen, except in Jesus, . . . . Continue Reading »
INTRODUCTION Coriolanus is the last of Shakespeare’s great tragedies, and has often been criticized as an inferior piece of work. There have been exceptions: T. S. Eliot said that Coriolanus was one Shakespeare’s most accomplished artistic successes. And in recent years, the critical . . . . Continue Reading »
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