Moses is mentioned 10 times in Kings, and there are some tantalizing connections with the 10 Words that Moses delivered to Israel. For instance: 1. 1 Kings 2:3: David exhorts Solomon to guard the Lord’s commandments and walk in his ways, using a 7fold description of the law. This is an . . . . Continue Reading »
In his 1607 treatise, Idea of Painters, Sculptors, and Architects , the painter Federigo Zuccaro claimed that human being was creative being: “Because of His goodness and to show in a small replica the excellence of his divine art, [God] having created man in His image and likeness with . . . . Continue Reading »
William Bouwsma points out in his book on the “waning of the Renaissance” that the Renaissance challenged what he calls the “traditional conception of the self,” in which reason sits at the top of a hierarchy of discrete faculties, including will, passions, and body. The . . . . Continue Reading »
John Frame has a typically gracious though critical review of Brian McLaren ‘s Generous Orthodoxy in the current issue of Reformation and Revival Journal. Frame appreciates a number of the concerns that animate McLaren (learning from other Christian traditions, the missional concept of the . . . . Continue Reading »
In his recently re-released Bioethics: A Primer for Christians , Gilbert Meilaender discusses baptism to formulate a Christian understanding of the person. Baptism, he points out, is a communal act but also individualizing: “the first thing to note about baptism is that it is a deeply . . . . Continue Reading »
In his book, Erotic Faith , Robert M. Polhemus offers an intriguing analysis of Bronzino’s Allegory with Venus and Cupid . The allegory suggests that “worship of Venus . . . blinds one to the menace of time and death.” Seeking sexual fulfillment means “betraying self, God, . . . . Continue Reading »
In his classic study of romanticism and literary theory, The Mirror and the Lamp , MH Abrams points out the crucial change in images of the mind - from the mind as a “mirror” of outside reality to the mind as a “lamp” or a “fountain” that determines what it . . . . Continue Reading »
Hannah Arendt claimed that “An object is cultural depending on the duration of its permanence: its durable character is opposed to its functional aspect, that aspect which would make it disappear from the phenomenal world through use and wear and tear . . . . Culture finds itself under threat . . . . Continue Reading »
At the climactic moment of reversal in the court scene in Merchant of Venice , Portia tells Shylock: “This bond doth give thee here no jot of blood.” “Jot” comes to English through the Greek iota , which is linked to the Hebrew YOD through Jesus’ usage in Matthew 5. At . . . . Continue Reading »
spectral rime-frosted trees in early morning moonlight cast shadows on the pasture . . . . Continue Reading »
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