Good for Adam

Faced with the indictment from the prophet Micah, Israel asks what it can do to pacify a scarily angry Yahweh. No number of ascensions will do the trick: What Yahweh requires is justice, covenant loyalty, humility (Micah 6:6-8). The famous “Micah Mandate” is addressed to . . . . Continue Reading »

Sermon Outline, First After Epiphany

INTRODUCTION Micah continues his indictment of Israel and Israel’s leaders. But in chapter 6, he gives positive instruction. What God demands is what is good - justice, lovingkindness, and humility (v. 8). THE TEXT “Hear now what the LORD says: ‘Arise, plead your case before the . . . . Continue Reading »

Modernism’s challenge

Gabriel Josipovici has a stimulating piece in the November 30 TLS arguing that the modernists pose an enduring challenge to contemporary culture, particularly the contemporary novel. Modernism, he suggests, began with the French Revolution, when it was declared that “everyone was equal now . . . . Continue Reading »

Wedding Sermon

1 John 4:7-8: Beloved, let us love one another, for love is from God; and everyone who loves is born of God and knows God. The one who does not love does not know God, for God is love. Let us Pray Heavenly Father, You have eternally loved Your Son with the love of the Spirit, and You have revealed . . . . Continue Reading »

Aesthetic Autonomy

Taruskin also gives a new summary of the artistic theory behind many of the lamentations of classical music’s collapse, which he traces from Mendelssohn through Kant to Schopenhaur and Adorno: “The main tenet of the creed is the defense of the autonomy of the human subject as manifested . . . . Continue Reading »

Market Correction

In a long and informative essay review in an October issue of TNR , Richard Taruskin explains the apparent crisis of classical music as a market correction. Between the early 1960s and 1987, lots of foundation and federal money flowed to composers and performers, inflating the numbers beyond what . . . . Continue Reading »