Kumar suggests that “some of the principal hall-marks of modernity” are already evident in the Christian notions of time and history. Both Christianity and modernity separate time from nature, and humanize time; time is seen by both as “linear and irreversible”; both see . . . . Continue Reading »
The Latin modernus was coined in the late fifth century, as an antonym to antiquus , and variations of modernus became particularly common after the 10th century. Thus, Krishan Kumar writes, “Modernity is . . . an invention of the Christian Middle Ages,” and was used to emphasize the . . . . Continue Reading »
Poster lists four effects that computer communications (email, chat groups, etc) have on the self: “1 they introduce new possibilities for playing with identities; 2 they degender communications by removing gender cues; 3 they destabilize existing hierarchies in relationships and . . . . Continue Reading »
Descartes famously contrasted the mind (res cogitans) with the external world (res extensa), but Mark Poster suggests that computer writing fudges that distinction: “the computer dematerializes the written trace. As inputs are made to the computer through the keyboard, pixels of phosphor are . . . . Continue Reading »
Mark Poster points to a tension between the modern institutions of production and the postmodern technologies of communication, particularly as they impact the formation of the self: “If modernity or the mode of production signifies patterned practices that elicit identities as autonomous and . . . . Continue Reading »
Prior to World War I, Telefon Hirmondo, the telephone system of Budapest, was used as a broadcast system, with a published schedule of programs that were restricted to certain classes of people in Hungary. Only later did it develop into a communications system in which everyone could pass . . . . Continue Reading »
Consumerism is a popular category of analysis, but what exactly does it mean? How is consumerism or the consumer society different from anything else? Haven’t every economies had producers and consumers? In his The Romantic Ethic and the Spirit of Modern Consumerism , Colin Campbell offers . . . . Continue Reading »
Bohemians, Featherstone suggests, were the first “true artistic proletariat,” living next to lower class people in low-rent areas of the larger cities, and imitating the lifestyle of the lower classes: “They cultivated similar manners, valuing spontaneity, an anti-systematic work . . . . Continue Reading »
Featherstone isolates three aspects of the postmodern aestheticization of daily life: 1) Artistic movements such as Dada and Surrealism attempt to break down the boundary between art and daily life by turning toilets and such into art objects. This is both an attempt to “dissemble . . . . Continue Reading »
In a lecture on Tom Stoppard’s Rosencrantz and Guildenstern are Dead, Ian Johnston makes this helpful distinction between existentialist drama and the Theater of the Absurd. “In the Theatre of the Absurd the protagonists are discovered in a world which they do not, indeed they cannot, . . . . Continue Reading »
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