In today’s sermon, we’ll learn about Joshua’s zeal for fighting the enemies of Yahweh in order to conquer the land of promise. While he is fighting five kings, the sun begins to go down. He could easily have said, “Enough for today. We can take care of them tomorrow.” . . . . Continue Reading »
A student suggests that Isaiah 61 is chiastically organized, and centers on verses 5-6, which promise that strangers will pasture the flocks of Israel and that Israel will consume the treasures of the nations. Overall, the passage announces the good news of return, the great Jubilee of . . . . Continue Reading »
Accommodation is often trotted out as a way to account for the unscientific language of Scripture. We now know that the earth does not rise and set, but the ancient Hebrews did not know that, and so God accommodated Himself to their (low) level of scientific knowledge when He guided the writing of . . . . Continue Reading »
Perhaps it’s the JPS Tanakh translation, but it struck me that the Samson narratives manifest the broad comedy of a Babylonian myth or the legends compiled by Levi-Strauss. He goes about tearing lions like lambs, posing riddles, lighting foxes on fire, and so on and on. Only moralistic . . . . Continue Reading »
Leviticus 10 is often cited in support of the Reformed “Regulative Principle of Worship.” It does support that principle, but not if the principle is formulated, as it often is, as “whatever is not commanded is forbidden.” The sin of Nadab and Abihu was offering . . . . Continue Reading »
Frank Gorman says that ritual in Bible is means of maintaining order of world against chaos: “ritual must function as a means of ‘manipulating’ the orders of creation. It is the means by which the categories of ‘order’ and ‘chaos’ can be negotiated. Ritual . . . . Continue Reading »
The following thoughts are largely inspired by Rowan Williams previously-mentioned book. 1. Art is about making, not primarily about making a point. It is not fundamentally self-expression, or copying something that’s already there. It’s about constructing a new thing, an object. 2. If . . . . Continue Reading »
In his stimulating Clark Lectures (recently published as Grace and Necessity ), Rowan Williams suggests, following David Jones, that there are certain ontological conditions for the possibility of poetry: “the ontology, if we can use that forbidding word here, of a universe that is . . . . Continue Reading »
At the end of his wonderful essay on “Art and Sacrament,” the Welsh poet and painter David Jones included a fragment that he wrote and rewrote over several decades. Here is wisdom: I said, ah! what shall I write? I inquired up and down (he’s tricked before with his manifold . . . . Continue Reading »
In a 2003 TNR review of Roman Polanski’s Oscar-winning film, The Pianist , Michael Oren gives information about Wilm Hosenfeld, the German officer who assists Szpilman: “while scrounging in an abandoned house for food, Szpilman comes face-to-face with a German officer. Instead of . . . . Continue Reading »
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