In the same issue of JSNT, Philip Esler examines ancient oleiculture to illumine Paul’s use of the olive tree image in Romans 11. When he describes branches being grafted into an olive tree, Paul refers to a common practice. But the normal practice is to graft cultivated olive branches onto a . . . . Continue Reading »
Jerome Neyrey has an interesting article on Acts 20:20 in the current issue of JSNT. He examines the cultural background to Paul’s use of the phrase “in public and from house to house” by examining various expressions in Greek and Latin writers that correspond to modern . . . . Continue Reading »
To what extent is modernity merely a recovery of the tragic? Tragedy, to my knowledge, simply didn’t exist in the medieval world. Drama revived late in the medieval period, but tragedy was reintroduced by the Renaissance. In Shakespeare, the tragic is set in a larger Christian comic setting, . . . . Continue Reading »
And in case there is any doubt that Bloom’s aesthetics is tragic: He claims that a poet is always one who is “rebelling more strongly against the consciousness of death’s necessity than all other men and women do.” (Call this the “heroic poet,” operating by the . . . . Continue Reading »
In the introduction to Anxiety of Influence , Harold Bloom quotes Geoffrey Hartman to the effect that art seeks “to overcome priority,” specifically the priority of nature: “art fights nature on nature’s own ground, and is bound to lose.” Bloom, of course, links this . . . . Continue Reading »
Sermon outline for November 9: Where Your Treasure Is, Luke 12:1-53 INTRODUCTION Luke 11 ended with Jesus’ most clear and pointed condemnation of “this generation,” which would be charged with all the blood of prophets from Abel to Zechariah (11:51-52). Throughout the following . . . . Continue Reading »
For Thomas, the “final cause” is the first cause. That is, the purpose for which a thing is done is what initiates doing the thing. I plan to retire to Tahiti; that is my final purpose. And that is the cause that initiates the various schemes of earning and saving that I embark on. The . . . . Continue Reading »
Thomas W. Mann has some interesting comments on the Joseph narrative in his 1988 book The Book of Torah: The Narrative Integrity of the Pentateuch . First, he points out that Joseph’s “trial” of his brothers is equally a trial of his father; Jacob initially refuses to give up his . . . . Continue Reading »
There are a couple of fairly clear chiasms in Luke 12: Verses 1-12 work out this way: A. Leaven of Pharisees, v 1 B. Hidden will be revealed, vv 2-3 C. Do not fear those who kill body, v 4 D. Fear the one who has authority to cast into hell, v 5 C’. Do not fear: hairs and sparrows, vv 6-7 . . . . Continue Reading »
I mentioned Virginia Postrel’s book “The Substance of Style” some time ago, having read a review in The Atlantic. I’ve now had a chance to look at the book, and it is a bracing, forcefully contrarian book in defense of the “aesthetic moment” that we are in in . . . . Continue Reading »
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