Much of Thomas’s discussion of Jesus’ resurrection has an “Abelardian” flavor. The resurrection is less an integral part of the “accomplishment” of redemption and more a support for the life of the believer. Of the five reasons given for the necessity of the . . . . Continue Reading »
Christ’s death delivered from sin. It’s less often recognized that Jesus’ death also glorifies; by His suffering, He brings “many sons to glory” (Hebrews 2:10). Thomas makes a place for “glorification” as an effect of Christ’s death largely by his . . . . Continue Reading »
In a review of a surrealism exhibit at the LA County Museum of Art, Sanford Schwartz comments on the dilution in the meaning of the word “surreal”: “Surrealism has entered the language as a synonym for almost anything that seems odd, uncanny, or freaky. For some, the very word . . . . Continue Reading »
Darrin Belousek ( Atonement, Justice, and Peace: The Message of the Cross and the Mission of the Church ) gives a provocative reading of Isaiah 53’s Suffering Servant. He argues that the passage doesn’t teach a penal substitutionary view of the atonement. He isolates two issues: First, . . . . Continue Reading »
I address the gay marriage debate again this morning at the First Things site . . . . . Continue Reading »
The dragon in heaven (Revelation 12:3) has seven heads, ten horns, and seven diadems on his seven heads. There’s a lot going on there, no doubt, but faced with a list like that my instinct is to start adding. It turns out to be a useful operation in this case. The total is 24, which is the . . . . Continue Reading »
The bride of the Song is a closed garden (4:12), her spices and fruits inaccessible, her springs of living water sealed up. Winds blow over the garden of the bride, spreading her fragrance (v. 16). But no one can feast, or drink, or see her beauties, until the Lover enters the garden (5:1). He . . . . Continue Reading »
Commenting on the Song of Songs 4:10, Paul Griffiths ( Song of Songs (Brazos Theological Commentary on the Bible) , 108-9 ) points out that love’s wound is not only the result of failed love or love’s absence, but inherent in love itself: “As the lover caresses his beloved’s . . . . Continue Reading »
Six times in Isaiah, things “break forth” ( patsach ). The word means “break,” as in breaking bones (Micah 3:3), but in Zion the things broken always sing. When you compile all the uses in Isaiah, it amounts to a cosmic chorus. The whole earth breaks into song (14:7); . . . . Continue Reading »
Yahweh’s name is His name is supposed to be continuously ( tamid ) praised, but it is blasphemed (or “provoked”) continuously ( tamid ; Isaiah 52:5). Yahweh continues: “Therefore My people shall know My name” (v. 6). How “therefore”? How will Israel know . . . . Continue Reading »
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