John Paul II, waxing Frankfurtian and Benjaminist, reflects on the effects of technologies that enable us to reproduce images of the human body - film and photography ( Man and Woman He Created Them: A Theology Of The Body , 366-7 ): “Artistic reproduction, when it becomes the content of . . . . Continue Reading »
In an interview in The Legend of the Middle Ages: Philosophical Explorations of Medieval Christianity, Judaism, and Islam (p. 22 ), Remi Brague argues that the early Christians transformed everything because they were obsessed with Christ not “Christianity itself.” They tracked . . . . Continue Reading »
Dan Glover offers these expansions on an earlier post where I quoted Edward Vacek’s analysis of the threefold love of God ( agape , philia , eros ). The rest of this post is from Dan. Adding to your comments, perhaps each person of the Godhead serves particularly, though not exclusively, to . . . . Continue Reading »
There’s an interview regarding by recent book on empire at http://thegospelcoalition.org/blogs/trevinwax/ this morning. . . . . Continue Reading »
Shylock has been played for sympathy frequently in the past century. But the sense that his character fits badly in a comedy is an old one. Already in 1709, Nicholas Rowe wrote, “Tho’ we have seen that Play Receiv’d and Acted as a Comedy, and the Part of the Jew performed by an . . . . Continue Reading »
In an old article in the Shakespeare Quarterly , Barbara Lewalski suggests that Merchant of Venice is a moralistic allegory depicting the character of Christian love. In the play, Christian love involves “giving and forgiving: it demands an attitude of carelessness regarding the things of . . . . Continue Reading »
Mahood again ( The Merchant of Venice (The New Cambridge Shakespeare) ), describing Shakespeare’s and Shylock’s use of the gospels in the play (p. 198-9). “On Shylock’s first meeting with Bassanio, his detestation of the Christians breaks out in the dactylic rhythm and harsh . . . . Continue Reading »
In an appendix to his edition of The Merchant of Venice (The New Cambridge Shakespeare) (pp. 197-8) , M. M. Mahood explores Shakespeare’s use of the Bible in the play. He notes the extensive echoes of the Jacob narrative, some explicit some not so much. “Shakespeare is unlikely ever to . . . . Continue Reading »
Should we love God disinterestedly, without expectation or desire for return from Him, without any desire for happiness? It’s a common idea, but Milbank rightly argues against it. He asks “what constitutes God’s loveability”? His answer” “every charm, every . . . . Continue Reading »
In the first part of his article “Soul of Reciprocity,” Milbank contrasts Cartesian generosity with Christian: “if the cogito is the donum , it is an impoverished donum . Generosity, in Descartes, begins as generosity towards oneself, or rather, as an expansive willing, that . . . . Continue Reading »
Subscribe
Latest Issue
Support First Things
