Rahner says, “if the ordination [toward the supernatural] cannot be detached from nature, the fulfillment of the ordination from God’s point of view is exacted.” Reno explains, “this obligatory or necessary fulfillment violates the logic of love. There can be no . . . . Continue Reading »
This is fuzzy, but let me try to write toward clarity. The great problem for the nouvelle theologie , Rahner, and neo-scholasticism was to preserve the gratuity of grace. If man is created with an inbuilt orientation toward a supernatural fulfillment, then God cannot deny the supernatural . . . . Continue Reading »
A friend and former student, Aaron Cummings, writes: “If Ruth is ‘adopted’ as a daughter to Boaz, then her story becomes the reversal of the original story of Moab (Gen. 19). Lot’s younger daughter successfully seduced her father while he slept, and she conceived Moab. Ruth, . . . . Continue Reading »
A class discussion of Proverbs brought out some interesting points. Proverbs 11:18 says that whoever sows righteousness will receive a sure reward. The verb “sow” is zr’ , the verbal form of “seed.” Righteousness is a seed sown, and the metaphor implies that . . . . Continue Reading »
James Jordan points out that Boaz “adopts” Ruth into his household when he first meets her. The use of the Hebrew na’ar hints at this. Boaz speaks to his na’ar when he first arrives on the scene (2:5), and invites Ruth to drink water along with his na’arim (2:9). In . . . . Continue Reading »
Boaz calls Ruth “my daughter” (2:8), as does Naomi. This indicates the age difference between them, but also points in a typological direction. After all, Boaz marries his “daughter,” just as Yahweh is both Father and Husband to “Daughter Zion.” . . . . Continue Reading »
Garber notes that Jaques’s “seven ages” speech numerically links the ages of man with “the number of the planets, and the virtues and vices, and the liberal arts.” Specifically the planets: “the schoolboy is mercurial; the lover, venereal; the soldier, martial; . . . . Continue Reading »
Pastoral was a huge fad in Elizabethan England. Marlowe’s brief song of the shepherd exemplifies the conventions of the genre: Come live with me and be my love, And we will all the pleasures prove That valleys, groves, hills, and fields, Woods or steepy mountain yields. And we will sit upon . . . . Continue Reading »
Margaret Garber points out that Arden, the name of the forest in As You Like It , is also the maiden name of Shakespeare’s mother, “so it is arguable that some nostalgia for childhood would double the geographical place with a psychological, or at least a remembered, place of ideal . . . . Continue Reading »
Rusty Reno’s discussion of nature and grace ( The Ordinary Transformed ) is not so satisfying as Jenson’s. Reno says that theology’s challenge is to explain the real relationship between nature and grace without detaching them or conflating them. Too intimate a relationship . . . . Continue Reading »
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