Matthew 10:10: The worker is worthy of his nourishment. Jesus sent the Twelve out with no means of support no food, no money to purchase food, no extra clothes. They were to be like Israel, relying on the Lord to maintain them as they went out into the wilderness. For the apostles, this . . . . Continue Reading »
Matthew 10:8: freely you received; freely give. The Twelve are not like the rest of Israel, lost sheep and oppressed. They have a shepherd, a good shepherd, the best shepherd, who summons, calls them, commissions them, heals them, sustains them, feeds them, cares for them. They have received all . . . . Continue Reading »
“I love Jesus, but I can’t stand the church. I obey Jesus, but I won’t submit to any human authorities.” We hear these sentiments a lot in American Christianity. American Christians like to separate Jesus from His people, the Shepherd’s authority from the authority of . . . . Continue Reading »
Jesus sends the Twelve to the lost sheep of the house of Israel. That fits the biblical pattern of “to the Jew first, and also to the Greek.” Israel is the first site of mission. For many, though, the mission to Israel is a quick stepping stone to the mission to the Gentiles. . . . . Continue Reading »
Daniel Patte points out in his “structural commentary” on Matthew that there is a narrative logic to Matthew 8-13. Jesus comes healing, casting out demons, cleansing the unclean, raising the dead, all the while proclaiming the reign of God that these miracles incarnate. In chapter 10, . . . . Continue Reading »
Shakespeare’s Claudio and Hero are usually played as palely conventional lovers, a foil to the sparkling sparring of Benedick and Beatrice. A recent British National Theatre production of Much Ado gives a more colorful Claudio and Hero. According to the TLS reviewer, Laurie Maguire, . . . . Continue Reading »
In an article on Taming of the Shrew , Carol Rutter points out that most shrew plays end with the shrew silenced. Shakespeare’s play moves in the opposite direction. Kate speaks a lot early, but her conversation lacks poetry and wit. Her final speech, though, is elegant and wise. In taming . . . . Continue Reading »
In Natural Supernaturalism , M. H. Abrams notes the influence of the Bible on Romanticism: “A conspicuous Romantic tendency, after the rationalism and decorum of the Enlightenment, was a reversion to the stark drama and suprarational mysteries of the Christian story and doctrines and to the . . . . Continue Reading »
All the English Romantics were admirers of Milton. Blake wrote a quasi-epic poem in which Milton was the title character. Wordsworth took up Milton’s prophetic mantle, and was regarded by Coleridge as the Milton of his day. Keats conceived his own poetic mission as one of surpassing Milton, . . . . Continue Reading »
Sayyid Qutb was one of the architects of jihadist Islam, and his stern opposition to the West was forged during a visit to the United States in 1949. Attending a church social in Greeley Colorado, he found, in the words of Lawrence Wright, “The room convulzed with the feverish music from the . . . . Continue Reading »