Peter J. Leithart

Russ McDonald has this shrewd comment about the combination of slapstick comedy and satisfied resolution in MSND : “Even as we anticipate a happy ending, we take pleasure in watching shenanigans, pretension, and the well-aimed custard pie. This tension amounts to a contest between the end and . . . . Continue Reading »

Marjorie Garber on Midsummer Night?s Dream . 1) She begins by explaining the various connections between MSND and Romeo & Juliet , suggesting that MSND is a comic version of R&J . In both, an authority figure stands between the lovers; in both they seek satisfaction by escape; in both, the . . . . Continue Reading »

Leave it to Barth to cut through a lot of confusion and clarify the theological necessity for an eschatological conception of salvation: “The New Testament speaks eschatologically when it speaks of man’s being called, reconciled, justified, sanctified and redeemed. In speaking thus it . . . . Continue Reading »

Now in the 18th year to king Yarav?am, son of Nebat Reigned-as-king ?Aviyyam over Yehudah. Three years he reigned-as-king in Yerushalaim Now the name of his mother [was] Ma?akah daughter of Aviyshalom. And he walked in all the sins of his father which he did before him. But his heart was not . . . . Continue Reading »

INTRODUCTION Judah?s beginning is no better than Israel?s, but for David?s sake Yahweh keeps a light lit in Jerusalem (15:4) and sends a reforming king to turn back the evils of Rehoboam. Meanwhile, Israel dissolves into political chaos, and becomes a veritable Africa of revolving door regimes, . . . . Continue Reading »

Below are some notes for an introductory lecture on Christology. INTRODUCTION Christology is frequently divided into two sections, the first dealing with the person of Christ and the second dealing with the work of Christ. That division is far from sharp; Jesus?Ework depends on Jesus?Eidentity. But . . . . Continue Reading »

INTRODUCTION In style and form, Timon of Athens more resembles a medieval morality play than a Shakespearean tragedy. Timon is mentioned briefly in Plutarch?s life of Marc Antony and was the subject of a drama by Lucian, and by Shakespeare?s time was already a proverbial misanthrope. Shakespeare?s . . . . Continue Reading »

This is based on a lecture delivered at NSA several years ago. I have not been able to prepare this for publication, though I hope to do so someday. My title is ?Cross and Culture,?Ebut that needs to be made more specific. The cross is described in the New Testament in a variety of ways: It is a . . . . Continue Reading »

These comments reflect and build upon some private correspondence from James B. Jordan, August 2004. 1) Like many of Shakespeare plays, MSND works on an opposition between city and country, between the civilized world and a natural ?green world?E(Northrop Frye). Within the city, law rules, even . . . . Continue Reading »

In 1 Kings 14, Jeroboam’s wife goes disguised to visit a prophet from Shiloh, who announces the death of her son and the eventual destruction of his dynasty. Ahijah tells Jeroboam’s wife that another king will take the kingdom. In 1 Samuel 28, Saul goes disguised to visit a medium at . . . . Continue Reading »