Peter J. Leithart is President of the Theopolis Institute, Birmingham, Alabama, and an adjunct Senior Fellow at New St. Andrews College. He is author, most recently, of Gratitude: An Intellectual History (Baylor).
Watching the closing courtroom scene of The Merchant of Venice , I was struck by how allegorical it is. First, there’s Antonio, threatened with death for a debt that really was incurred by Bassanio. Second, he’s threatened by a Jew. Third, Shylock says something like “his blood be . . . . Continue Reading »
Does the “foolishness of God” carry the connotation of “God playing the fool”? As in, God the jester? Is Paul saying that God the jester is wiser than the sages? . . . . Continue Reading »
Further reflection on Scott: His anti-romanticism, as I suggested, is a common theme in early novel-writing. Defoe furnishes another example. Robinson Crusoe is warned by his father against running off to sea and seeking adventure, but Robin is unwilling to settle down to a boring middle-class . . . . Continue Reading »
The church fathers went to great lengths to prove that Moses was both more antique than Greek sages, and also to show that the Greek sages were dependent on Moses. While historically plausible, these efforts a form of Christian apologetics done within the confines of pagan thought. The assumption . . . . Continue Reading »
Cyril of Alexandria developed an intriguing conception of the Spirit as the “fragrance” of God. The Spirit is “a living and active fragrance from the substance of God, a fragrance that transmits to the creature that which comes from God and ensures participation in the substance . . . . Continue Reading »
Among the projects that Julian the Apostate took on was the rebuilding of the temple in Jerusalem. This was intended to deflate Christian apologetics who pointed to the destruction of the temple as a sign of Judaism’s demise and Christianity’s ascendency, both divinely authorized. But . . . . Continue Reading »
Scott is the romantic’s romantic, and yet his novels display the struggle against romance that is common in early novel-writing ( Don Quixote ; Northanger Abbey ). Edward Waverley , the “hero” of the first of Scott’s novels, goes through various adventures with the Jacobite . . . . Continue Reading »
Deepak Lal holds the James S. Coleman Professorship of International Development Studies at UCLA, and has produced a fascinating cross-disciplinary and cross-cultural study of the relation of culture and development, Unintended Consequences (Oxford, 1998). Many of his arguments are unpersuasive, . . . . Continue Reading »
As I’ve thought more about the issues of comedy and tragedy, it has become clear that Christianity not only brings “deep comedy,” but also produces a deepening of tragic sensibility. In one sense, Christianity is utterly opposed to tragedy and its outlook: the religious world of . . . . Continue Reading »
In Ecclesiastes, Solomon repeatedly exhorts his readers to “eat, drink, and rejoice” as a response to the vaporousness of life” “There is nothing better for a man than to eat and drink and tell himself that his labor is good. This also I have seen, that it is from the hand . . . . Continue Reading »
influential
journal of
religion and
public life
Subscribe
Latest Issue
Support First Things