Peter J. Leithart

Some speculations on death in the original creation, inspired by Jim Jordan’s lecture on Daniel 4 and by discussion with a colleague at NSA. As usual, anytime I write about the Trinity, Jeff Meyers is also lurking in the background. This is not all set in stone, only musings and ponderings. . . . . Continue Reading »

Warren Gage of Knox Seminary in Ft Lauderdale is a treasure. In a very rich and as-yet unpublished paper on the typology of Samson, Gage points out a number of very striking typologies. He suggests, for instance, that Absalom is a Christ figure, dying on a tree, being struck in the side by an enemy . . . . Continue Reading »

The editors of The New Republic got it right, it IS the correction of the year, issued by the Cleveland Plain Dealer on November 18: “Because of an editing error, a story on the front page yesterday misattributed a quote from the speaker on an audiotape purportedly of Saddam Hussein as coming . . . . Continue Reading »

Early in his Tragic Sense of Life , Unamuno captures the profound connection between autonomy and tragic character in a passage of hyperventilating passion: “The visible universe, the universe that is created by the instinct of self-preservation, becomes all to narrow for me. It is like a . . . . Continue Reading »

There’s something chiastic going on in 3:19-31 (or maybe 2:25-3:30). A. by works of law no flesh shall be justified, 19-20 B. Apart from law, righteousness of God is revealed, 21 C. righteousness through faith in Jesus—> for all have sinned, 22-23 D. being justified as a gift through . . . . Continue Reading »

A touch of Spenserian humor: Spenser has a witch create a false Florimell (Book 3) for her slothful and unattractive son, who is smitten with the beauty of the real Florimell. The witch uses materials from Petrarchan love sonnets to construct the lady ?Eactual lamps for eyes, actual golden wire for . . . . Continue Reading »

Spenser might provide a Milbankian response to Milbank’s endorsement of homosexual sex and “threesomes.” In Book 3 of The Faerie Queene , Spenser’s heroine is Britomart, the lady knight who represents a militant chastity directed toward marital and sexual consummation rather . . . . Continue Reading »

William Allan Oram in a book on Spenser writes that “one of the fruitful false etymologies of the Renaissance was the derivation of HERO from EROS: by this understanding, love does not hinder noble deeds but spurs them on.” . . . . Continue Reading »

Also in the November 7 TLS (belatedly on my desk) is a review of Lukas Erne’s Shakespeare as Literary Dramatist , in which Erne challenges the popularly accepted notion that Shakespeare was writing for viewers rather than readers. He shows that plays were being written for publication in . . . . Continue Reading »

A review of Jeffrey Knapp’s Shakespeare’s Tribe in the November 7 TLS begins with the comment that Elizabethan dramatists approached their work with a missionary aim: “Countering the fears of religious commentators who believed acting to be nothing more than hypocrisy, this . . . . Continue Reading »