Peter J. Leithart

Christian Smith’s How to Go from Being a Good Evangelical to a Committed Catholic in Ninety-Five Difficult Steps is fairly predictable. His criticisms of evangelicalism are on target in the main, and his Catholic arguments are pretty standard. Smith is careful about his audience: He is . . . . Continue Reading »

Mead gives a nicely varnished picture of British establishment and support of its global maritime order. He doesn’t deny that the British broke some eggs, but he’s more interested in the omelet. C.A. Bayly’s superb The Birth of the Modern World: 1780-1914 (Blackwell History of the . . . . Continue Reading »

Mead gives a concise summary of Anglo-American military successes during the past three centuries: “Since the Glorious Revolution of 1688 that established Parliamentary and Protestant rule in Britain, the Anglo-Americans have been on the winning side in every major international conflict. The . . . . Continue Reading »

Mead responds to the notion that civilizations and empires inevitably decline with this: Arguments about inevitable decline, articulated by Spengler and Toynbee, “looked more probable in the early and middle years of the twentieth century than they do today. Consider the idea that all . . . . Continue Reading »

One of Mead’s main themes is that Anglo-American strategy during the past several centuries has focused on the development of maritime order. In this perspective, the world is single, but divided into different theaters: “The theaters are all linked by the sea, and whoever controls the . . . . Continue Reading »

Walter Russell Mead acknowledges in God and Gold: Britain, America, and the Making of the Modern World (Vintage) that balance of power politics is a matter of letting rivals busy their giddy minds with foreign quarrels. Britain was happy to leave Continental fights to Continentals: “Let . . . . Continue Reading »

Gordon summarizes epics that previewed the Homeric epics in quite direct ways. The “Ugaritic Legend of Kret is of Cretan derivation as the name of the hero indicates. Like the Iliad, the story concerns a war waged so that a king might regain his rightful wife who is being withheld from him, . . . . Continue Reading »

In his dense 1967 monograph on Homer and the Bible , Cyrus Gordon argued that the Iliad was written not for the sake of art only but to inspire the imagination of a Greek nation: “it does not divide Greek from Greek. The Trojans and their allies are treated with as much decorum and honor as . . . . Continue Reading »

A reader sends this older analysis of zombies: www.americanpopularculture.com/journal/articles/fall_2002/harper.htm . . . . . Continue Reading »

Pity the radical. For every radical, there’s always someone more radical still, someone who plays “more radical than thou” with greater skill. Recent New Testament scholarship has highlighted the “counter-imperial” import of the gospel. In some ways, this is a healthy . . . . Continue Reading »