Peter J. Leithart

According to Pickstock, Augustine’s musical ontology is not a mere subordination of space to time, or a univocal “Dionysian flow”: “just as important as the priority of time, for Augustine, is the insistence on articulation into distinct musical units or phrases, the . . . . Continue Reading »

Nothing comes from nothing.  That seems obvious, and Christians have traditionally had some difficulty explaining why creatio ex nihilo is a defensible violation of that basic principle. According to Catherine Pickstock, Augustine viewed creation ex nihilo as the most rational position. . . . . Continue Reading »

In responding to Milbank’s analysis of Augustine on the secular, RA Markus ( Christianity And the Secular (Blessed Pope John XXIII Lecture Series in Theology and Culture) ) borrows MJ Hollerich’s summary of Milbank that there is no “neutral public sphere in which people can act . . . . Continue Reading »

Jean-Marie Schaeffer ( Art of the Modern Age: Philosophy of Art from Kant to Heidegger (New French Thought Series) has a blast pointing out the contradictions in Kant’s aesthetics. Most of them arise from Kant’s insistence that the judgment of taste is founded on “the form of a . . . . Continue Reading »

Can effects double as causes? Kant, still working with some form of final causality, thinks so: There are cases when “the thing that for the moment is designated effect deserves none the less, if we take the series regressively, to be called the cause of the thing of which it was said to be . . . . Continue Reading »

Evidence that Hamann had Kant right: In explaining taste as a common sense, he notes that this common sense of beauty can be arrived at by a process of stripping off whatever belongs to our perception and prejudice. That is, we put “ourselves in the position of every one else, as a result of . . . . Continue Reading »

The premise of Bonaventure’s “reduction of arts to theology” is that all knowledge, skill, perception is about light. Good and perfect gifts come down from the Father of Lights, James says, and Bonaventure sees that light refracted into four types of light. Some are obvious: the . . . . Continue Reading »

God alone, Augustine says, can act directly on souls. We cannot, but that doesn’t mean we can’t act on other souls. In Augustine’s anthropology, this is done through the body, by “signals conveyed by the physical body.” Such physical signs might be gestures, facial . . . . Continue Reading »

Augustine, of course, says that pride is the beginning of revolt and sin. A prideful soul is one that refuses to recognize that “the whole quality of the soul’s existence is from God” and therefore that it is “enlivened in mental activity and in self-consciousness by . . . . Continue Reading »

In his early treatise de musica , Augustine arranges everything into a hierarchy: God and other immutable objects above; human souls between; bodies and other carnal things below. It’s a Neoplatonic and hardly Christian notion. But embedded within that Augustine gets at something more sound. . . . . Continue Reading »