Peter J. Leithart

Anthony Thiselton ( New Horizons in Hermeneutics ) notes that “It may readily be granted, without any difficulty that some (or even in principle many) biblical texts do function in ways which invite a reader-oriented hermeneutic.” A very wise statement, that. Wise, first, in . . . . Continue Reading »

Eco is not uncritical of Derrida, but he disagrees with Searle’s claim that “Derrida has a distressing penchant for saying things that are obviously false,” insisting instead that “Derrida has a fascinating penchant for saying things that are nonobviously true, or true in a . . . . Continue Reading »

Umberto Eco ( Limits of Interpretation ) criticizes Barthes’s notion that connotation occurs when “a sign function (Expression plus Content) becomes in turn the expression of a further content.” He argues that “in order to have a connotation, that is, a second meaning of a . . . . Continue Reading »

Isaiah 6:10 says that Isaiah’s ministry will make the hearts of Israel “fat” and their ears “heavy” ( kabad ). The phrasing is unique to Isaiah 6, but the combination of heavy and fat conjures up Eli, who also was going blind. Isaiah 6 is a new Samuel, and like . . . . Continue Reading »

MH Abrams notes that at the heart of Romanticism was a transfer of Christian concepts into a new, subjectivist, context: “Much of what distinguishes writers I call ‘Romantic’ derives from the fact that they undertook, whatever their religious creed or lack of creed, to save . . . . Continue Reading »

Frank Lentricchia argues that there is “no unmediated historical knowledge,” and adds: “That is reserved for God, or for theorists like Hirsch who believe that objective knowledge can be acquired in a massive act of dispossessing ourselves of the only route to knowledge that we . . . . Continue Reading »

Roger Lundin notes that modern interpretation often seeks an unmediated encounter with the text, and then adds: “Both Keith Thomas and Charles Taylor trace it, in part, to the Reformation’s anti-sacramental impulses, which fed into the desacralizing of nature that seventeenth-century . . . . Continue Reading »

For centuries, piano virtuosos had thrilled audiences with audacious performances of Liszt’s seventh Etude (in G minor, “Eroica”). Liszt scholars had written analyses of the music, and critics had compared various performances to one another and to what they believed was . . . . Continue Reading »

Archaeologists once discovered a small fragment of Greek text in the Egyptian desert. The name “Paul” appeared at the beginning of the text, and one of the words contained what looked like the first letters of the word “apostle.” Otherwise, the text did not conform to any . . . . Continue Reading »

Gadamer points out that the Enlightenment operated on “an unshakable premise: the scheme of the conquest of mythos by logos.” For the Enlightenment, this represented a progress. Romanticism assumed the same development, but considered it a tragic lost. Romantics found “that olden . . . . Continue Reading »