Peter J. Leithart

Levine writes, “The Chinese developed an incense clock. This wooden device consisted of a series of connect small same-sized boxes. Each box held a different fragrance of incense. By knowing the time it took for a box to burn its supply, and the order in which the scents burned, observers . . . . Continue Reading »

Robert Levine ( Geography of Time ) notes that “recent research indicates that farm wives in the 1920’s, who were without electricity, spend significantly less time at housework than did suburban women, with all their modern machinery, in the latter half of the century. One reason for . . . . Continue Reading »

Why don’t longshoremen or sailors or assembly-line workers sing as they work? Blame it on the clock. Lewis Mumford wrote in the 1950s, “To keep time was once a peculiar attribute of music: it gave industrial value to the workshop song or the tattoo or the chantey of the sailors tugging . . . . Continue Reading »

Thomas writes in his commentary on John that “things were written in the Old Testament because they would be fulfilled by Christ. If we say that Christ acted because the scriptures foretold it, it would follow that the New Testament existed for the sake of the Old Testament and for its . . . . Continue Reading »

Matthew Levering wisely rejects von Balthasar’s notion that Ezra-Nehemiah is “like a brook in the process of drying up”: “Why should the rebuilding of the temple and the renewal of obedience to the Torah, despite the diminishment of the splendor of the temple and the . . . . Continue Reading »

In a review of George Steiner’s latest book in the May 2 TLS, David Martin speculates on the connection between biblical exegesis and the development of intellectual toughness. For Jews and Scots, he says, “there are the intellectual resources built up by strenuous exercises, in . . . . Continue Reading »

Music is often considered the most mystical, ephemeral, ethereal of all arts. For some, music is for this reason the most perfect, the most purely artistic, of all arts. Maybe. But think: When Bach wants to “comment” (Calvin Stapert’s term) on the chorale “Wachet auf” . . . . Continue Reading »

The distribution of angelic appearances in Matthew is significant. Angels actually appear as characters in the story only in chapters 1-4 and 28. In total, there are seven uses of “angel” in passages that describe angels as characters (1:20, 24; 2:13, 19; 4:11; 28:2, 5; there is also . . . . Continue Reading »

When the fisherman in the dragnet parable (Matthew 13:47-50) pull the net to the beach, they “sat down” in order to gather the good fish and throw the bad away. Why sit? Comfort? I doubt it. Jesus is talking about the end of the age, when the Twelve, made fishers of men, will sit . . . . Continue Reading »

A few random thoughts on the parable of the treasure in the field (Matthew 13:44) 1) The kingdom is like a man-finding-hidden-treasure-who-buys-the-field. The hiddenness of the treasure is crucial. In His parables, Jesus reveals things hidden from before the foundation of the world (13:35). Jesus . . . . Continue Reading »