Peter J. Leithart

Saussure also suggests that phonetic changes sometimes have the effect of obliterating the distinct parts of composite words. Latin’s amicus (“friend”) was clearly negated by inimicus (“enemy”), but the French ami and ennemi are no longer so obviously related by . . . . Continue Reading »

Saussure notes that phonetic changes in a language can have wider consequences on a language. One of these effects is “to break the grammatical link connecting two or more words.” Where linguistic signs once wore their derivation on their sound, a phonetic change breaks the link. In . . . . Continue Reading »

Tom Perrotta creates a background buzz of sexuality in his 1998 novel Election . It’s appropriate to the story’s setting - an election for Winwood High’s student body president. What’s remarkable is how deftly he achieves this - mostly by gesturing and leaving a great deal . . . . Continue Reading »

First Things has put up an article of mine on prophecy on their web site:http://www.firstthings.com. . . . . Continue Reading »

The question of my title is not a lament. My question is not, Why are there no more prophets? I have something more literal in mind: Where do we find prophets, and, specifically, where do we find them in the Bible? What is their physical and social location?To judge by popular American perceptions, . . . . Continue Reading »

Challenging a “solitarist” view of identity, Amartya Sen ( Identity and Violence ) writes, “The same person can be, without any contradiction, an American citizen, of Caribbean origin, with African ancestry, a Christian, a liberal, a woman, a vegetarian, a long-distance runner, a . . . . Continue Reading »

Jordan also cites an article from Hector Avalos arguing that the repetition of the lists of musical instruments and Babylonian officials in Daniel 3 is intended satirically. Avalos writes: “[Henri] Bergson argued that simple mechanical iteration is a great source of comedy. When humans act as . . . . Continue Reading »

Jim Jordan points out that Daniel 3 lists seven ranks of Nebuchadnezzar’s officers, and also seven kinds of musical instruments. The numerical link perhaps points to a connection of musical and political performance, musical and political “orchestration.” Further, the word for . . . . Continue Reading »

Bill Bryson’s recent Shakespeare bio begins with some delightful descriptions of extant portraits of the bard. The Droeshout engraving, Bryson writes, “is an arrestingly - we might almost say magnificently - mediocre piece of work. Nearly everything about it is flawed. One eye is bigger . . . . Continue Reading »

William Alston challenges Trinitarian critics of substance metaphysics, arguing that they have misrepresented classical notions of substance: “there is absolutely no justification for saddling substance metaphysics as such with these commitments to timelessness, immutability, pure actuality . . . . Continue Reading »