Peter J. Leithart

N. T. Wright has recently been telling people they’ve got personal eschatology wrong. Heaven is not the final destination for the saints, but they will be raised in transfigured bodies to inhabit a newly united heaven-and-earth. That this causes jaw-dropping astonishment is itself . . . . Continue Reading »

Scheeben says that what is natural to one being may be supernatural for another. Immortality is natural to angels, “a pure spirit, whose entire essence is on a higher plane, because no opposition between matter and the principle of life has place in him.” For men, immortality is . . . . Continue Reading »

Matthias Scheeben makes explicit the troubling underpinnings of the nature/supernatural distinction. When we are refashioned by grace “on the model of the higher, divine nature,” we enter into a “new, special relationship with God, who now draws near to man in His own essence, and . . . . Continue Reading »

Can unbelievers know truth? The whole question has been distorted by failing to ask, Which unbelievers? In what circumstances? In what stage of unbelief? The New Testament shows the Jews who reject Jesus as blind, but also shows them being blinded, or blinding themselves. To give a zero-sum answer . . . . Continue Reading »

My son Woelke pointed me to a piece in Slate on the resignation of Tim Goeglein, who resigned recently as the White House liaison to religious groups, after it was revealed that he had stolen material for published columns over the past several years. What tipped off Nancy Nall Derringer, the . . . . Continue Reading »

At the chiastic center of John 9, the Jews interrogate the blind man’s parents, threatening them with expulsion from the synagogue if they confess Jesus. Why do the parents appear? The answer goes back to the disciples’ question at the beginning of the chapter: Jesus says the parents . . . . Continue Reading »

Several of my students have pointed to the link between John 8 and 9. Jesus declares that He is the light of the world in 8:12, but because of the opposition of the Jews and their intent to kill Him, He withdraws and hides Himself - He hides the light from the self-darkened. But at the beginning of . . . . Continue Reading »

Several of my students in a Shakespeare elective have pointed to the way Shakespeare’s use of disguise and deception in comedy plays into his evangelical “lose life to find it” theme. Characters become more fully themselves by quite literally becoming other than themselves. Viola . . . . Continue Reading »

In a paper on the chiastic structure of Midsummer Night’s Dream , a student, Jason Helsel, suggests that two scenes with the mechanicals “serve as a link or portal between the city and the forest.” Nicely put; the path from the city of law and justice to the magical world of the . . . . Continue Reading »

Jesus describes a violent and tumultuous mission (Matthew 10). They Twelve will display great power, and arouse vicious opposition. They will advance the kingdom, but the violent will try to arrest the kingdom by force, by crosses and killings and exclusions. But the last words of this discourse . . . . Continue Reading »