Peter J. Leithart is President of the Theopolis Institute, Birmingham, Alabama, and an adjunct Senior Fellow at New St. Andrews College. He is author, most recently, of Gratitude: An Intellectual History (Baylor).
I am reading a portion of the text from 2 Corinthians 4. We have this treasure in earthen vessels, so that the surpassing greatness of the power will be of God and not from ourselves; we are afflicted in every way, but not crushed; perplexed, but not despairing; persecuted, but not forsaken; struck . . . . Continue Reading »
In imitation of Mao’s “Great Leap Forward,” the Cambodian tyrant Pol Pot attempted to rationalize the inefficiencies of Cambodian agriculture. In an essay in the Black Book of Communism , Jean-Louis Margolin writes: “It was perhaps the sons of the soil who controlled . . . . Continue Reading »
In his wonderful Musicophilia , Oliver Sacks describes a patient named Martin, who suffered meningitis at the age of three and was never mentally normal afterwards. He spent hours listening to operas and by the time Sacks met him in 1984, he claimed to have more than 2000 operates memorized, along . . . . Continue Reading »
In many cultures, music and dance go naturally together. Music moves the body, and so bodies move to the music. Not ours, or at least not in “high culture.” Patrick Shove writes, “Many twentieth-century composers focus on sound qualities or abstract tonal patterns, and performers . . . . Continue Reading »
Painter Wassily Kadinsky complained about the materialism of modern life: “Only just now awakening after years of materialism, our soul is infected with the despair born of unbelief, of lack of purpose and aim. The nightmare of materialism, which turned life into an evil, senseless game, is . . . . Continue Reading »
Pierre Boulez’s total serialism depended, in the words of Jeremy Begbie, “on the rigorous organization of music through the use of strict mathematical patterns.” The results were, Begbie says, “extremely dull, indeed, some of the most tedious ever written.” Around the . . . . Continue Reading »
Calvin says “The whole world is a theater for the display of the divine goodness, wisdom, justice, and power, but the Church is the orchestra, as it were - the most conspicuous part of it.” . . . . Continue Reading »
Calvin interprets Titus 3:5 as a baptismal passage. Baptism is a sign and pledge of God’s mercy that signifies and pledges this mercy by ingrafting the baptized into the church: “The train of thought of the passage is this: ‘God saves us by his mercy and he has given us a symbol . . . . Continue Reading »
In his recent book on image and word in Calvin, Randall Zachman describes Calvin’s shifting views on ordination. Early on, he sarcastically rejects the notion that the laying of hands in the Roman Church constitutes a sacrament. By 1543, however, he has changed both his tone and his position. . . . . Continue Reading »
Idols have mouths, but don’t speak. But the fear of the prophets is that Yahweh might be the same. Evil abounds in Israel and the nations, yet Yahweh does nothing and says nothing. If Yahweh is silent in the face of evil, how does he differ from the gods of the nations? The problem of evil in . . . . Continue Reading »
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