Peter J. Leithart

Matthew 4:24: And the news about Him went out into all Syria; and they brought to Him all who were ill, taken with various diseases and pains, demoniacs, epileptics, paralytics; and He healed them. Jesus comes preaching, casting out demons, and healing. In doing all this, He fulfills the prophecies . . . . Continue Reading »

Jesus is the light of the world, the eternal radiance of His Father. When He comes into the world, He chooses to dwell in a place of darkness and gloom, a place under the shadow of death, the despised borderland of Galilee. Good for Jesus, we say. We’re happy He brings light to our dark . . . . Continue Reading »

Isaiah 9 describes not only a dawn, but the dawn of victory. With the light comes a multiplication of the nation, a repopulation of the land, gladness like the gladness of harvest (v. 3). This gladness is the result of a deliverance, a new exodus that will deliver Israel from the yoke of the . . . . Continue Reading »

Matthew says that Jesus’ residence in Capernaum fulfills the prophecy of Isaiah 9 about the dawning in the land of Zebulun and Naphtali. There are several aspects to this. 1) Isaiah 9 comes at the end of a prophecy concerning the Aramean crisis in Judah. Rezin of Aram and Pekah of Israel are . . . . Continue Reading »

It’s no wonder that the land of Zebulun and Naphtali, the region of Galilee, was considered a place of darkness. Towns had been sold to the Gentile Hiram, and apparently pronounced worthless (1 Kings 9). This region was the first to go into exile (2 Kings 15:29), and the Assyrians resettled . . . . Continue Reading »

Though Austen lived almost two decades into the nineteenth century, she is usually characterized as a writer of the eighteenth. Her aesthetic and tastes were set in stone by 1800 (when she was 25), and she was untouched by romanticism. Indeed, she is often read as an anti-Romantic writer. The . . . . Continue Reading »

Gabrielle White offers an abolitionist reading of Austen’s work, and of Emma specifically. Part of the evidence is circumstantial. Some of Austen’s best-loved writers favored not only the abolition of the slave trade (which happened in 1807) but also the abolition of chattel slavery in . . . . Continue Reading »

Ellen Belton points out that in the 1995 BBC production of Pride and Prejudice , “Elizabeth and Darcy (Colin Firth) are hardly ever frames together until well into the second half of the film, and when they are shown in the same shot, the effect is to emphasize the obstacles between them. In . . . . Continue Reading »

In The Historical Austen , William Galperin notes that Austen understood that certain kinds of realistic art or aesthetics could naturalize and “realize” what is really only an ideological construct. And he notes the somewhat surprising political ramifications of such aesthetic . . . . Continue Reading »

Watch that no root of bitterness grow up, Hebrews 12:15 warns. What’s a root of bitterness? Sounds like someone who’s bitter in the church. But Deuteronomy 29:18 uses a similar phrase to describe those who turn aside from Yahweh to serve other gods. This fits the context of Hebrews very . . . . Continue Reading »