Peter J. Leithart

Katherine Newey suggests that “a class-based divide between popular culture and literary or ‘high,’ remaining to this day, emerged in debates over the reform of the theatre [in the 19th century]. Much of what still endures of the concept of ‘legitimate’ theatre in the . . . . Continue Reading »

Arthur F. Kinney writes that “Until very recently - and in some scholarly circles still today - it has been argued that the working class - the journeymen, apprentices, and men and women servants sometimes known as subalterns - had neither the money nor the liberty to attend plays. There is . . . . Continue Reading »

A couple of selections from Eric Partridge’s book on the bawdy in Shakespeare. “Flatulence was, in Shakespeare’s day, the source and the target of humour and wit among all classes: nowadays, its popularity as a subject is, in the main, confined to the lower and lower-middle . . . . Continue Reading »

Michael Burleigh details the decimation of the bishoprics and clergy in Franch during the Revolution. This had the unintended consequence of raising the profile of the Pope: Without local or regional authorities to look to, the remaining French clergy looked all the way to Rome: “Ineluctably, . . . . Continue Reading »

Levine again: The German pianist Hans von Bulow toured the US in 1876. At one location, he was preceded by Emma Thursby who sant Schubert and Schumann, and then a popular song by Franz Abt: “Von Bulow’s ‘rage knew no bound’ at this ‘desecration’ of a program . . . . Continue Reading »

Levine: “In 1853 Putnam’s Magazine had proposed that P. T. Barnum . . . be named the manager of New York’s Opera. ‘He understands what our public wants, and how to gratify that want. He has no foreign antecedents. He is not bullied by the remembrance that they manage so in . . . . Continue Reading »

In his Highbrow/Lowbrow , Lawrence Levine writes that “it is hard to exaggerate the ubiquity of operatic music in nineteenth-century America. In 1861 a band played music from Rigoletto to accompany the inauguration of President Lincoln. In the midst of the Civil War a soldier in the . . . . Continue Reading »

Victor Zuckerkandl points out that Western music since the 17th century has been measured music, that is, music in which beats are organized into groups, into measures. This innovation in musical organization creates a complex rhythmic situation. At one level, there is a recognizable beat running . . . . Continue Reading »

Some quite random highlights from Milbank’s very rich essay review of Rowan Williams’s Art and Necessity , published in Modern Theology . 1) Milbank makes a numerb of illuminating points about Aquinas’s theory of knowledge, supporting some aspects of Maritain’s Thomism. . . . . Continue Reading »

This overlaps considerably with previous posts. INTRODUCTION According to John’s description, the world is formed by various “lusts” or desires, and by “pride” and “boasting.” We can respond faithfully to the world only when we discern the desires that . . . . Continue Reading »