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		<title>First Things RSS Feed - John Drexel</title>
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		<pubDate>Mon, 20 Jan 2025 16:55:04 -0500</pubDate>
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		<ttl>60</ttl>

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			<title>At Lansallos</title>
			<guid>https://www.firstthings.com/article/2008/11/005-at-lansallos</guid>
			<link>https://www.firstthings.com/article/2008/11/005-at-lansallos</link>
			<pubDate>Sat, 01 Nov 2008 00:00:00 -0400</pubDate>
			
			<description><![CDATA[<p> The remnant of an ancient Celtic cross 
<br>
 worn smooth by a millennium of weather 
<br>
 lies barely visible amid the uncut grass 
<br>
 and slanting headstones. Broken,  
<br>
 lichen-stained, it had once been used 
<br>
 to mark a parish boundary; uneathed 
<br>
 a hundred years ago and moved 
<br>
 to clear a furrow for a horse-drawn plough;  
<br>
 now planted here among the Cornish dead. 
<br>
 Inside the church, a water-damaged lithograph 
<br>
 of King Charles the Martyr 
<br>
 keeps watch over a dying congregation. 
<br>
 This far down the western foot of England 
<br>
 you might be in another country altogether&rdquo; 
<br>
 the sea nearer, the fields muddier,  
<br>
 the accents more archaic and the music of what happens 
<br>
 that much slower. The church stands here 
<br>
 against the winter gales and changing times,  
<br>
 a monument to Saint Salwys or Saint Ildierna 
<br>
 (both equally forgotten),  
<br>
 an invitation to the anxious pilgrim 
<br>
 to meditate on what is here and what is gone 
<br>
 and what&rsquo;s beyond all boundaries. 
</p> <p><em><a href="https://www.firstthings.com/article/2008/11/005-at-lansallos">Continue Reading </a> &raquo;</em></p>]]></description>
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			<title>Sursum Corda</title>
			<guid>https://www.firstthings.com/article/1997/10/004-sursum-corda</guid>
			<link>https://www.firstthings.com/article/1997/10/004-sursum-corda</link>
			<pubDate>Wed, 01 Oct 1997 00:00:00 -0400</pubDate>
			
			<description><![CDATA[<p>For years and years, during the dark days 
<br>
  of war and famine, the faithful among us 
<br>
  prayed and watched and waited for a miracle, 
<br>
  for healing, for salvation, for deliverance from evil. 
<br>
  In the hot weather and in the cold weather 
<br>
  our numbers grew fewer and fewer. 
<br>
  The memory of good things faded: fresh flowers 
<br>
  in crystal vases, the look and feel of silk and linen, 
<br>
  the music made by piano and cello and violin 
<br>
  in hushed rooms hung with chandeliers 
<br>
  where during intermission we were awed 
<br>
  by Piero della Francesca, Botticelli, Fra Angelico. 
<br>
  Even the memory of the lover to whom we promised 
<br>
  I&rsquo;ll never forget you, last seen with her lips pressed 
<br>
  to the window of the last departing train, faded 
<br>
  to oblivion. The recording angels were appalled. 
<br>
  The eyes of the dead regarded their lost lives 
<br>
  wandering in the snow as though their deaths 
<br>
  had never happened. Choirs no longer sang 
<br>
  Sursum corda, Dona nobis pacem. 
<br>
  Even the ancient saying Ara longa, vita brevis 
<br>
  proved only half-true. And in our own native tongue 
<br>
  the lambent whisper I love you 
<br>
  rarely, if ever, escaped our lips . . .  .

But now, years later, in Phase Five of the Reconstruction, 
<br>
  we are well again and living in New Times. 
<br>
  The previously inconvenient hills are leveled, 
<br>
  cleared of gorse and heather 
<br>
  to make way for Gore-Tex and healthier 
<br>
  living. We are governed by dicta that avoid the old pitfalls- 
<br>
  foremost, by the oh so eminently sound injunction 
<br>
  always to look forward, never to look back.

</p> <p><em><a href="https://www.firstthings.com/article/1997/10/004-sursum-corda">Continue Reading </a> &raquo;</em></p>]]></description>
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