Benjamin and Art's Disenchantment
by Peter J. LeithartDisenchantment in Benjamin's aesthetics. Continue Reading »
Disenchantment in Benjamin's aesthetics. Continue Reading »
Cities don't just contain art objects. A city is an art object. Continue Reading »
Modern art appropriates sacramentality to lend it prestige. Continue Reading »
The camera-phone has inaugurated an era of therapeutic photography. It is a photography less concerned with producing photographs and more concerned with the act of taking a picture, the “click.” In Snapchat, the actual photo disappears after being taken and sent. It is the mode of most of our . . . . Continue Reading »
Political acts are like aesthetic creations. Continue Reading »
Many Beautiful Things lives up to its title. With lush visuals from the English countryside, the deserts of North Africa, and the watercolors of its subject Lilias Trotter, the latest from filmmaker Laura Waters Hinson pleases the eye while asking questions of the heart. If Trotter’s name sounds . . . . Continue Reading »
First Things is pleased to announce the opening of ‘The Jordanian Woman (Die Frau ohne Schatten)’, an exhibition of paintings by Jörg Madlener. A private student of Otto Dix, Jörg Madlener has remained faithful throughout his long career to his original fascination for the human face. His latest series, ‘The Jordanian Woman (Die Frau ohne Schatten)’ is the fruit of the artist’s years in the Middle-East, an experience which led him to touch the human drama behind the political conflicts.
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Is poetry lesser poetry if it teaches us something? Continue Reading »
Moderns as much as “primitives” attribute life to images. Continue Reading »
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