Six, Seven, Eight

Creation is threefold: Heaven, earth, sea. Alternatively, creation is sixfold, because each zone has things in it: Heaven and things, earth and things, sea and things (Revelation 10:6). A nice symmetry: The sixfold creation was formed over six days. At the origin and end of the sixfold creation, . . . . Continue Reading »

Eagle and Dragon

Ox, Lion, Eagle, Man. The faces of the cherubim. And the faces of four constellations of the Zodiac: Taurus, Leo, Scorpio, Aquarius, spaced every four constellations around the ecliptic. Scorpio ? He’s no eagle. There is an eagle constellation, Aquila, but it’s along the celestial . . . . Continue Reading »

Overcome by Blood

There is war in heaven, Michael & Co. versus Dragon and angels. Michael wins and casts the dragon from heaven to earth, where he chases down the woman’s offspring (Revelation 12). Caird ( A Commentary on the Revelation of St. John the Divine , 155-7) draws from this an integrated theology . . . . Continue Reading »

Hero and Dragon

John sees in heaven a woman in labor ready to give birth to a son while a dragon waits to devour the newborn (Revelation 12). It’s a scene of Mary and Jesus and Herod, Eve and the Seed and Satan, Israel and the Messiah. It is also a story that reverberates throughout mythology and literature. . . . . Continue Reading »

Where Are the Fish?

Various commentators suggest that the four living creatures in Revelation (ox, lion, eagle, man) represent the whole of animate creation joined to praise God. Which raises the obvious question: Where are the fish? You have a sky animal, a wild land animal, a domesticated land animal, and a man to . . . . Continue Reading »

A typology of Satanic attack

James Jordan has pointed out that the book of Revelation gives us seven names for Satan: Wormwood (8:10-11), the poisoner of wells; Abaddon and Apollyon (9:11), both of which mean “destroyer” but which speak of destruction of Hebrew and Greek worlds respectively; Dragon (12:1), devourer . . . . Continue Reading »

Chaucerian apocalypse

In their The Apocalyptic Imagination in Medieval Literature , Richard Emmerson and Ronald Herzman find apocalypse in unexpected places. Like Chaucer. For the medieval mind, any pilgrimage evoked the pilgrimage of the soul toward heaven, and The Canterbury Tales is no different: “For the . . . . Continue Reading »

Seven + Ten + Seven

The dragon in heaven (Revelation 12:3) has seven heads, ten horns, and seven diadems on his seven heads. There’s a lot going on there, no doubt, but faced with a list like that my instinct is to start adding. It turns out to be a useful operation in this case. The total is 24, which is the . . . . Continue Reading »

Temple opened

When the seventh trumpet sounds, the heavenly temple of God is opened and the ark appears. Lightning, thunder, an earthquake, and a great hailstorm accompany the revelation of the Lord’s throne (11:19). This verse opens a section of several chapters that deal with the Satanic attack on the . . . . Continue Reading »

Structure of Revelation 11:18

The song of the twenty-four elders in Revelation 11:17-18 begins with thanksgiving for God’s exertion of power that inaugurates His reign. Verse 18 describes how that reign comes to pass. It is a complexly organized verse. It begins and ends with lex talionis judgments against God’s . . . . Continue Reading »