When he turned proud and boasted in the “power and glory of my majesty” (Daniel 4:30), Nebuchadnezzar was “driven away from mankind and began eating grass like cattle” (v. 33). Boasting in glory diminished his glory. He later came to his senses, and coming to his senses . . . . Continue Reading »
There are some dreams and visions scattered around the Old Testament, but no book as the kind of concentration of dreams as Daniel. Kings dream, and the prophet dreams. In Esther too, the dream of Ahasuerus is the turning point of the story. Zechariah sees a series of visions in the night. . . . . Continue Reading »
When Daniel appears before Nebuchadnezzar to interpret the dream of the tree, he says this: “break away now from your sins by doing righteousness and from your iniquities by showing mercy to the poor” (Daniel 4:27). This is interesting on several levels. First, Daniel isn’t just . . . . Continue Reading »
Jesus is presented as the “metal man” (James Jordan’s phrase) in His first unveiling in Revelation 1. The imperial statue of Daniel 2 is in the background, the statue that reverts from glorified metal back to dust when the kingdom of God hits it in the feet. Jesus is the metal . . . . Continue Reading »
Al Wolters gave a very thorough and sophisticated explanation of the term peres in the writing on the wall in Daniel 5. I can’t reproduce it all, but one of the cool things that emerged from it was that the weights mentioned add up to 181, and the date of the Persian conquest of Babylon was . . . . Continue Reading »
Jordan also cites an article from Hector Avalos arguing that the repetition of the lists of musical instruments and Babylonian officials in Daniel 3 is intended satirically. Avalos writes: “[Henri] Bergson argued that simple mechanical iteration is a great source of comedy. When humans act as . . . . Continue Reading »
Jim Jordan points out that Daniel 3 lists seven ranks of Nebuchadnezzar’s officers, and also seven kinds of musical instruments. The numerical link perhaps points to a connection of musical and political performance, musical and political “orchestration.” Further, the word for . . . . Continue Reading »
Daniel and his three associates each had two names - a Jewish and a Babylonian. Jim Jordan points out in his recent commentary that the Jewish names are used when the men pray and the Babylonian names when they advise the king. They apparently have no moral qualms about this dual identity, this . . . . Continue Reading »
In his recent commentary on Daniel, Jim Jordan notes that the goat of Alexandrian Egypt (Daniel 8) is something new in Israel’s history - a power coming from the West: “Israel has always been the west-most power, with the Mediterranean Sea at her edge. All previous history has been . . . . Continue Reading »
Jim Jordan suggests that Daniel 2-7, written in Aramaic, is a fulfillment of the promise/threat of tongues (from Isaiah), and that this passage authorizes translation of Scripture into various languages. Which leads to several thoughts: 1) As Jordan points out, translation was not done until the . . . . Continue Reading »
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