In his “Hortatory Address,” Justin claims that Plato’s theory of forms came from a misreading of the tabernacle texts of Exodus: “And Plato, too, when he says that form is the third original principle next to God and matter, has manifestly received this suggestion from no . . . . Continue Reading »
As Hugo Rahner made clear in his classic study of the patristic uses of Greek myth, the church fathers saw Christ anticipated not only in the OT but in ancient literature and philosophy generally. Some examples: In Plato’s Republic (2, 361d-e), Glaucon describes the perfectly just man as one . . . . Continue Reading »
In After Virtue , Alasdair MacIntyre provides a neat discussion of the virtue and selfhood in Greek antiquity. The unity of ARETE, virtue, “resides . . . in the concept of that which enables a man to discharge his role,” and refers to “excellence of any kind,” whether in a . . . . Continue Reading »
Some selections from Diogenes Laertius’ “Life of Heraclitus, from his “Lives and Opinions of Eminent Philosophers: “He was above all men of a lofty and arrogant spirit, as is plain from his writings, in which he says, ‘Abundant learning does not form the mind; for if . . . . Continue Reading »
Walter Burkert has spent a good bit of his life tracing Greek art, mythology, language, and social practices to ANE origins. In his 2004 Babylon, Memphis, Persepolis he analyzes the passage from the Iliad where Hera deceptively tells Zeus she is going to Oceanus, whom she calls “origin of the . . . . Continue Reading »
In a recent book on Roman images, Tonio Holscher notes that Roman artists borrowed from every phase of Greek art because all phases of Greek art were available simultaneously. According to the TLS reviewer of his book (May 12), “In Greece, these styles had evolved over time, from the stiff . . . . Continue Reading »
In a rapid survey (TLS May 26) of the cultural uses of the Odysseus-Cyclops encounter that ranges from Kant’s “Cyclopean thinking” to Charles Lamb’s version of the Odyssey to Joyce, Salman Rushdie, Derek Walcott, and the X-Men Edith Hall includes these intriguing tidbits: . . . . Continue Reading »
In his autobiography, Wagner describes the effect of Aeschylus’ Oresteia on his sensibilities and work: “I could see the Oresteia with my mind’s eye, as though it were actually being performed; and its effect on me was indescribable. Nothing could equal the sublime emotion with . . . . Continue Reading »
Seneca suggests that ingratitude is the worst of vices, and nothing is more “harmful to society” than ingratitude (I.1). Later in Book I, he lists a series of moral ills that plague society – “homicides, tyrants, thieves, adulterers, ravishers, sacrilegious, traitors” . . . . Continue Reading »
Socrates’ explanation of his willingness to submit to the laws of Athens, from the Crito. Since he owes the city his very existence, he has no right to renounce the laws when they turn against him: Soc. “And was that our agreement with you?” the law would say, “or were you . . . . Continue Reading »
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