In Nussbaum’s treatment, “tragic” and “Aristotelian” conceptions of moral luck and the fragility of the good life are at one. In excluding poets, Plato not only kept certain forms of literature at bay, but was protecting against the tragic potential of life. For Plato, . . . . Continue Reading »
There is further evidence concerning the meaning of nomos in Greek culture, coming from Martha Nussbaum’s Fragility of Goodness . In a discussion of Euripides’s Hecuba , Nussbaum points out that Polyxena, Hecuba’s daughter who is offered as a human sacrifice by the Greeks to . . . . Continue Reading »
A student of mine, Erin Linton, is working on the rituals and theory of guest friendship in Greek culture, particularly in the Homeric epics. She has pointed to the inclusio within the Iliad, which begins with a duel between Menelaus and Paris to resolve the war and ends with a reconciliation, . . . . Continue Reading »
In his beautifully written tribute to the ancient Greeks. Thomas Cahill interprets Euripides’ Medea as a cautionary tale to aristocratic Athenian men. The question he poses to the audience is: “What could drive a woman to such extremes that she would kill her own children.” . . . . Continue Reading »
Some more thoughts from Segal’s book: 1) He points out the optimism that gripped Athens in the Periclean period, an optimism about the ability of human LOGOS and NOMOS to stave off the savage potential of man’s PHUSIS. But that was short-lived: The Peloponnesian wars broke out, marked . . . . Continue Reading »
In his study of Sophocles, Tragedy and Civilization , Charles Segal points to several Greek terms that might be translated as “civilization” and that capture various aspects of civilized life: NOMOS = the established institutions, customs, and norms of a people POLITEIA = the form of . . . . Continue Reading »
Another insight from Sourvinou-Inwood: After offering a reconstruction of the development of tragedy from the hymns of the TRAGODOI through “prototragedy” (which introduced mimetic elements), she gives a brief review of the development of comedy. At the end, she contrasts the two both . . . . Continue Reading »
Discussing the religious origins of Athenian tragedy in her recent Tragedy and Athenian Religion , Christiane Sourvinou-Inwood first examines the early forms of the festival of the City Dionysia. She points out that “tragedy” comes from tragos , a male goat, and that the first hints of . . . . Continue Reading »
I believe that some time ago I made the connection between Derrida’s “supplement at the origin,” tragedy, and conceptions of the relation of nature and culture. In some systems of thought, culture is a “supplement” to nature and participates in all the problems that . . . . Continue Reading »
Thousands of years before David Blane, there was this, reported in a text called “On the Syrian God” purportedly by Lucian, which describes the orgiastic rites of the goddess Atargatis: “Two [phalli] at the entrance of the sanctuary, 1,800-foot-high monsters. One of them is . . . . Continue Reading »
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