The most electrifying reading experience I’ve had this past year came 656 pages into Donna Tartt’s recent novel, The Goldfinch. A twenty-first-century young American’s adventure story, its action moves from wealthy Manhattan to Great Recession–era Las Vegas to decadent high-end European . . . . Continue Reading »
The Contemporary Christian Music industry has shrunk to a third of its former size. Is dissatisfaction with a Christian copy-cat culture to blame? And what is “good” Christian art anyway?
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When I was a child,” Marilynne Robinson began an early essay, “I read books.” Lila Ames, the eponymous protagonist of Robinson’s most recent novel, did not. If not for a single year of schooling, she might have never learned to read at all. When she wanders, at age thirty, into Gilead, she is ashamed of the clumsy childishness of her own penmanship. Continue Reading »
The Swedish Academy looks for lofty fiction, and has trouble with wit. Continue Reading »
Science fiction makes us scared of our technology. Continue Reading »
Fictional realism rests on an inner tension. Continue Reading »
The following is a list of favorite works of imaginative literature compiled by a literary snob. Unlike similar lists you won’t find anything as daunting as Finnegan’s Wake or as faddish as whatever Oprah is shilling to her book club. In fact, on first glance the inclusion of children’s books . . . . Continue Reading »
In his Devil’s Dictionary, Ambrose Bierce defined a novel as “a short story padded.” This is an all too apt description. The inability to prune a story to its essential story is an unfortunate quality shared by many modern writers and the primary reason that bookshelves are filled with . . . . Continue Reading »
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