2084: The End of the World by boualem sansal translated by alison anderson europa editions, 240 pages, $17 Sleep soundly, good people, everything is sheer falsehood, and the rest is under control.” So begins Boualem Sansal’s new novel, 2084. The author, an Algerian secularist, has . . . . Continue Reading »
He was not a refugee, not an immigrant, not a displaced person. Or, rather: yes and no. When he and I became close friends, he once said to me: “Sometimes Americans ask, ‘When did you come to this country?’ I did not come to America; I went there.” And if he was asked . . . . Continue Reading »
The new Oxford, with its fair share of Starbucks and burger joints, is far more convenient than the old—but it is not such a good place in which to think and imagine. Continue Reading »
The novelist and diarist Julien Green described in his diary a conversation he had with a French priest, a Fr. Couturier, about the novelist’s necessary complicity with evil: If he is a believer, the difficulty begins when he sits down at his table to write, for he is obliged to become each one of . . . . Continue Reading »
The most electrifying reading experience I’ve had this past year came 656 pages into Donna Tartt’s recent novel, The Goldfinch. A twenty-first-century young American’s adventure story, its action moves from wealthy Manhattan to Great Recession–era Las Vegas to decadent high-end European . . . . Continue Reading »
The Contemporary Christian Music industry has shrunk to a third of its former size. Is dissatisfaction with a Christian copy-cat culture to blame? And what is “good” Christian art anyway? Continue Reading »
When I was a child,” Marilynne Robinson began an early essay, “I read books.” Lila Ames, the eponymous protagonist of Robinson’s most recent novel, did not. If not for a single year of schooling, she might have never learned to read at all. When she wanders, at age thirty, into Gilead, she is ashamed of the clumsy childishness of her own penmanship. Continue Reading »
The following is a list of favorite works of imaginative literature compiled by a literary snob. Unlike similar lists you won’t find anything as daunting as Finnegan’s Wake or as faddish as whatever Oprah is shilling to her book club. In fact, on first glance the inclusion of children’s books . . . . Continue Reading »
In his Devil’s Dictionary, Ambrose Bierce defined a novel as “a short story padded.” This is an all too apt description. The inability to prune a story to its essential story is an unfortunate quality shared by many modern writers and the primary reason that bookshelves are filled with . . . . Continue Reading »