During the 1970s Paul Williams’s talents as a singer, songwriter, composer and actor were in high demand. His song, “Evergreen”— sung by Barbara Streisand for the film A Star is Born—won an Academy Award and reached number one on the pop charts. He produced similar hits for the Carpenters, Helen Reddy, and David Bowie. He wrote the celebrated score for Bugsy Malone, and appeared in numerous films himself—stealing the show as a wisecracking bootlegger in Smokey and the Bandit. On television, Williams became a ubiquitous presence, co-hosting the Merv Griffin and Mike Douglas shows, and appearing on the Tonight Show an astonishing forty-eight times. In 1979, Williams became even more famous when he wrote The Rainbow Connection, the theme for Jim Henson’s Muppet Movie. Continue Reading »
In a scene cut from The Exorcist’s 1973 theatrical version, Jason Miller’s Fr. Damien Karras sits with Max von Sydow’s Fr. Lankester Merrin on the stairs of the MacNeil house, and the two Jesuits discuss why the child Regan has become a monster. Continue Reading »
Upon its release fifteen years ago, the distributors of The Blair Witch Project realized they had a phenomenon in hand. An innovative marketing campaign had built interest in the film by leading people to websites displaying fake news stories and information about the witch and the killings. . . . . Continue Reading »
Wes Anderson is one of the most vital, personal, and distinctive American filmmakers of his generation, an exacting auteur whose florid signature blazes across his work. Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling . . . . Continue Reading »
Recently, I sat down to watch Desire of the Everlasting Hills, a newly released documentary about three Christians who pursued their attraction to members of the same sex but then—after diverse experiences and disappointments—embraced chastity and their erstwhile faith. One had pursued the New York fast life, another monogamous stability, and the third had attempted to eschew an Evangelical upbringing in response to his inclination toward men. The documentary was produced by Courage, the much-maligned ministry of the Roman Catholic Church that aids those with same-sex attractions who seek to live chastely. Continue Reading »
Is it possible for a film to capture the horror of the sexual abuse scandal in the Catholic Church while at the same time presenting a case for the necessity of the institutional priesthood? Against all odds, this is exactly what Irish director John Michael McDonagh’s Calvary manages to do. Father James (played with magnificent presence by Brendan Gleeson) is a good priest, if a haunted one. He is a widower and an alcoholic with a suicidal daughter and a parish full of troubled townspeople in rural Ireland. One afternoon a parishioner confesses to him that he was serially raped by a now-deceased priest as a child, and as a way of taking revenge, he will kill Fr. James in a week. Continue Reading »
A cold has severely damaged my already limited thinking abilities. I just rewatched “The Way of the Gun”. I saw it about a dozen years ago and remembered it as an enjoyable and darkly funny action movie with an exceptional performance by James Caan. Seeing it again, the movie, for . . . . Continue Reading »
So I saw Man of Steel again and here are some thoughts, 1. Peter Lawler’s subversive interpretation of the Republic-in-speech is also the film’s subversive interpretation of the Republic-in-speech. 2. Zod’s tragedy is that he has completely collapsed the categories of good man and . . . . Continue Reading »
Don’t believe the professional movie critics. Just as Superman Returns has seen its reputation (deservedly) decline since it came out, Man of Steel is likely to see its critical reputation improve in the years ahead. The most puzzling critique of Man of Steel is that it lacks the . . . . Continue Reading »
Noah Baumbach loves Greta Gerwig and its not funny. Frances Ha is amusing, but the “ha” is always on its own, without an accompanying “ha” (repeat) that makes for real laughter. The movie is and is not about Greta Gerwig. Greta Gerwig has had a very . . . . Continue Reading »
