In a scene cut from The Exorcist’s 1973 theatrical version, Jason Miller’s Fr. Damien Karras sits with Max von Sydow’s Fr. Lankester Merrin on the stairs of the MacNeil house, and the two Jesuits discuss why the child Regan has become a monster. Continue Reading »
Upon its release fifteen years ago, the distributors of The Blair Witch Project realized they had a phenomenon in hand. An innovative marketing campaign had built interest in the film by leading people to websites displaying fake news stories and information about the witch and the killings. . . . . Continue Reading »
Recently, I sat down to watch Desire of the Everlasting Hills, a newly released documentary about three Christians who pursued their attraction to members of the same sex but thenafter diverse experiences and disappointmentsembraced chastity and their erstwhile faith. One had pursued the New York fast life, another monogamous stability, and the third had attempted to eschew an Evangelical upbringing in response to his inclination toward men. The documentary was produced by Courage, the much-maligned ministry of the Roman Catholic Church that aids those with same-sex attractions who seek to live chastely. Continue Reading »
Is it possible for a film to capture the horror of the sexual abuse scandal in the Catholic Church while at the same time presenting a case for the necessity of the institutional priesthood? Against all odds, this is exactly what Irish director John Michael McDonagh’s Calvary manages to do. Father James (played with magnificent presence by Brendan Gleeson) is a good priest, if a haunted one. He is a widower and an alcoholic with a suicidal daughter and a parish full of troubled townspeople in rural Ireland. One afternoon a parishioner confesses to him that he was serially raped by a now-deceased priest as a child, and as a way of taking revenge, he will kill Fr. James in a week. Continue Reading »