Paterson: A Film to Remember
by William Doino Jr.In Paterson, there are no explosions, betrayals, tragedies, or graphic depictions of violence or sex—just enchanting scenes that celebrate the beauties of everyday life. Continue Reading »
In Paterson, there are no explosions, betrayals, tragedies, or graphic depictions of violence or sex—just enchanting scenes that celebrate the beauties of everyday life. Continue Reading »
Iranian Cinema Uncensored: Contemporary Film-makers Since the Iranian Revolution by shiva rahbaran i. b. tauris, 336 pages, $35 In July 1988, the Ayatollah Khomeini accepted the cease-fire that brought the Iran-Iraq War to a close. He likened it to downing a “poisoned chalice.” Iranian and Iraqi . . . . Continue Reading »
The First Things Podcast, Episode 25. Featuring: Reviews of current theatrical releases The Shack and Logan.
There is neither sin nor suffering in The Shack—only the psychotherapeutic notion of “pain,” which encapsulates them both. Continue Reading »
In the end, Silence was too Christian for Hollywood and too Hollywood for Christians. Continue Reading »
The Star Wars prequels irreverently secularized the Force, making it a controllable entity, measurable and understandable, infinitely use-able. In Rogue One, the Force becomes spiritual once again. Continue Reading »
Beautifully filmed and acted, Silence is as powerful as it is ambitious. Continue Reading »
Communication between different ideological worlds has never been more necessary and never seemed more impossible. This is the premise of the most philosophical blockbuster of 2016, Arrival, a movie that belongs on any best-of-the-year list. Continue Reading »
The first Elizabeth was a genius and a monster. Elizabeth II is neither, and that could be the formula for banality. But it may be its own kind of power—in life and onscreen. Continue Reading »
A Man for All Seasons is a magnificent religious film—perhaps the best ever—despite its author’s stated intentions. Continue Reading »