Typology is a philosophy of history. It is also a theory of meaning. Typology is a historical theory of meaning, a theory of historical meaning. That Matthew can say “Out of Egypt I called My Son” is fulfilled in Jesus isn’t evidence that Matthew was a midrashist. It’s not . . . . Continue Reading »
E. Miner wrote, that “the ability to declare typology absent is a kind of proof of sound modern critical method.” Which translated means, Skepticism about typology is the union card of serious biblical scholarship. . . . . Continue Reading »
A. K. A. Adam offers a useful critique of what he calls “brick hermeneutics.” Taking a cue from George Herriman’s early 20th-century comic strip Krazy Kat, he describes brick hermeneutics as follows: “Most of our discourses take for granted the premise that we communicate by . . . . Continue Reading »
In a volume on Philo’s etymology of Hebrew names, Lester Grabbe notes that allegory and etymology played an important role in Greek interpretation of myths: ” In the physical types of allegory the gods were related directly and baldly to the nature elements by etymology, so that Hera . . . . Continue Reading »
Anthony Thiselton ( New Horizons in Hermeneutics ) notes that “It may readily be granted, without any difficulty that some (or even in principle many) biblical texts do function in ways which invite a reader-oriented hermeneutic.” A very wise statement, that. Wise, first, in . . . . Continue Reading »
Umberto Eco ( Limits of Interpretation ) criticizes Barthes’s notion that connotation occurs when “a sign function (Expression plus Content) becomes in turn the expression of a further content.” He argues that “in order to have a connotation, that is, a second meaning of a . . . . Continue Reading »
Frank Lentricchia argues that there is “no unmediated historical knowledge,” and adds: “That is reserved for God, or for theorists like Hirsch who believe that objective knowledge can be acquired in a massive act of dispossessing ourselves of the only route to knowledge that we . . . . Continue Reading »
Roger Lundin notes that modern interpretation often seeks an unmediated encounter with the text, and then adds: “Both Keith Thomas and Charles Taylor trace it, in part, to the Reformation’s anti-sacramental impulses, which fed into the desacralizing of nature that seventeenth-century . . . . Continue Reading »
For centuries, piano virtuosos had thrilled audiences with audacious performances of Liszt’s seventh Etude (in G minor, “Eroica”). Liszt scholars had written analyses of the music, and critics had compared various performances to one another and to what they believed was . . . . Continue Reading »
Archaeologists once discovered a small fragment of Greek text in the Egyptian desert. The name “Paul” appeared at the beginning of the text, and one of the words contained what looked like the first letters of the word “apostle.” Otherwise, the text did not conform to any . . . . Continue Reading »
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