Bohemians, Featherstone suggests, were the first “true artistic proletariat,” living next to lower class people in low-rent areas of the larger cities, and imitating the lifestyle of the lower classes: “They cultivated similar manners, valuing spontaneity, an anti-systematic work . . . . Continue Reading »
Featherstone isolates three aspects of the postmodern aestheticization of daily life: 1) Artistic movements such as Dada and Surrealism attempt to break down the boundary between art and daily life by turning toilets and such into art objects. This is both an attempt to “dissemble . . . . Continue Reading »
Modernity attempts to spatialize time, and to chart temporally shifting reality in a fixed mathesis. So argues Catherine Pickstock at least. But in this sense postmodernism is hypermodernism. Featherstone notes that MTV “seems to exist in a timeless present with video artists ransacking film . . . . Continue Reading »
Mike Featherstone, expounding on the “aestheticitization of everyday life” that he claims is characteristic of the postmodern ethos, notes that similar motifs are evident in the early development of the fashion industry: “The intensified place of fashion increases our . . . . Continue Reading »
Featherstone suggests that postmodernism is in part a “loss of confidence on the part of the intellectuals in the universal potential of their project.” Thus, postmodern theory is marked by “tendencies toward indeterminacies , the recognition of openness, pluralism, randomness, . . . . Continue Reading »
Featherstone again: “Postmodernism effectively thrusts aesthetic questions toward the center of sociological theory: it offers aesthetic models and justifications for the reading and critique of texts (the pleasure of the text, intertextuality, writerly texts) and aesthetic models for life . . . . Continue Reading »
Featherstone wisely notes the danger of “simply relabelling experiences as postmodern which were formerly granted little significance,” and laments that many definitions of postmodernism are too loose and vague to be useful. Yet, even if contemporary thinkers are simply re-packaging . . . . Continue Reading »
Postmodernity is from one angle modernity coming to self-consciousness. Managerialism is as much at the heart of modernity as of postmodernity, but postmoderns know they are being managed. As a result, management is always shot through with irony. How can we take the wizard seriously after the . . . . Continue Reading »
David Lyon’s little book, Postmodernity, provides an excellent introduction to the sociological, technological, and political contexts in which postmodern thought has arisen. He is cautious about inflating claims about a “postmodern” condition or the coming of a “new . . . . Continue Reading »
A thesis, which may prove, when the actual evidence is examined, to be wholly wrong: The thesis: Psychology and its related disciplines do not arise from clinical study or laboratory research, but as a branch of literary criticism. Evidence (extremely thin): Coleridge was the first to use the . . . . Continue Reading »
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