Stallybrass and White again: The classical form “was far more than an aesthetic standard or model.” It might be better to say that there was a classicist aesthetic at work in other areas besides art. In any case, the classical body “structured, from the inside as it were, the . . . . Continue Reading »
when the theater was taken seriously. Douglas Lanier writes, “On may 7 [1849] Edwin Forrest and William Macready, long-time Shakespearian rivals, mounted competing productions of Macbeth in New York City, Forrest at the Broadway Theater, Macready at the Astor Place Opera House. Forrest, an . . . . Continue Reading »
Elias notes that table manners reflect social relations more generally: “People who ate together in the way customary in the Middle Ages, taking meat with their fingers from the same dish, wine from the same goblet, soup from the same pot or the same plate . . . - such people stood in a . . . . Continue Reading »
Elias again: “In the eleventh century a Venetian doge married a Greek princess. In her Byzantine circle the fork was clearly in use. At any rate, we hear that she lifted food to her mouth ‘by means of little gold forks with two prongs.’ “This gave rise in Venice to a . . . . Continue Reading »
Elias suggests that the blossoming of German literature in the late 18th century was largely led by middle-class writers and thinkers whose tastes and styles ran directly counter to the Francophile culture of Frederick’s court: “This German literary movement, whose exponents included . . . . Continue Reading »
At the Retreat organized by the asylum reformer Samuel Tuke, the inmates would occasionally enjoy social occasions where the rules of etiquette would be strictly observed. In Tuke’s own description, they would “dress in their best clothes, and vie with each other in politeness and . . . . Continue Reading »
Madness in what Foucault calls the “classical period” is conceived as a dazzlement - the madman is darkened with excessive light. In this context, “the Cartesian formula of doubt is certainly the great exorcism of madness. Descartes closes his eyes and plugs up his ears the better . . . . Continue Reading »
For the Renaissance, Foucault argues, the line between madness and reason was thin and easily crossed. The madman, in fact, frequently gained insight that the sane did not; think Lear howling on the heath. Over time, madness and truth had been clearly distinguished, and madness ceased to be . . . . Continue Reading »
In Dialectic of Enlightenment , Horkheimer and Adorno characterize the Enlightenment assault on metaphysics as an assault on the remnants of old superstition. Among the Greeks, “by means of the Platonic ideas, even the patriarchal gods of Olympus were absorbed in the philosophical logos . The . . . . Continue Reading »
In their study of Hobbes and Boyle, Steven Shapin and Simon Schaffer show that Hobbes’s opposition to Boyle’s air pump was as political as scientific. Hobbes complained about the Catholic system because it introduced a double loyalty to church and state, and he was particularly vicious . . . . Continue Reading »
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