We think our popular culture is as crass as it comes, but in 18th century London, in Cripplegate, there was a fart club, where, as Kenneth Baker says, “the members met once a month to give of their best.” The much-maligned Victorian Age was the great cleansing of British culture, which . . . . Continue Reading »
Featherstone: “One important site where the various flows of people, goods, technology, information and images cross and intermingle is the world city. World cities are the sites in which we find the juxtaposition of the rich and the poor, the new middle-class professionals and the homeless, . . . . Continue Reading »
Postmodern critics of modernity sometimes treat the latter not only as the pursuit and ambition for totality; they treat it as a totality, as an undifferentiated whole. But if postmoderns are right, even modernity was fragmented and frayed at the edges, and the appearance of totality is a modernist . . . . Continue Reading »
A subsidiary thesis: Modernity is motivated by a desire for purity, by dirt-avoidance - dirt being, as Mary Douglas says, “matter out of place.” Counter-modernity is dirt’s revenge, celebration of dirt. . . . . Continue Reading »
Featherstone once again. He points out that sometime in the 18th century, upper class culture divided from lower class culture: “in 1500 the educated strata despised the common people although they shared their culture. Yet by 1800 their descendants had ceased to join spontaneously in popular . . . . Continue Reading »
In his 1987 book, The Romantic Ethic and the Spirit of Modern Consumerism , C. Campbell attempts to explain the origins of contemporary obsession with novelty, pleasure in the new, self-expression through consumption of goods. He traces it to romanticism’s focus on “imagination, . . . . Continue Reading »
A couple of further notes from Featherstone’s very stimulating book. First, citing Pierre Bourdieu, he notes the limits of seeing consumption as an isolated marker of status. The signs “that betray a person’s origins and trajectory through life are manifest in body shape, size, . . . . Continue Reading »
Cultural elites have, Featherstone suggests, an inherently ambivalent relationship with the market. His argument, if I understand it, goes something like this: Cultural elites want to preserve a monopolization of cultural products. Hence, for instance, peer review of scholarly work; work that . . . . Continue Reading »
McDonald’s provides a helpful glimpse at the complexities surrounding postmodernity. On the one hand, the global reach of McDonald’s seems a perfect illustration of one part of the postmodern situation - the global diffusion of American culture and tastes, the plasticity and airiness of . . . . Continue Reading »
Though often conceived as a crisis within Western civilization, postmodernism, Featherstone argues, is partly impelled by globalization. Globalization, he begins, usually conveys two images - the spread of a single, increasingly uniform culture throughout the world, and the . . . . Continue Reading »
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