Whit Stillman among the Janeites
by Deborah YaffeHis adaptation of Lady Susan downplays a key fact: Austen’s women jockey among themselves for status and power. Men may be the prizes, but they’re not the point. Continue Reading »
His adaptation of Lady Susan downplays a key fact: Austen’s women jockey among themselves for status and power. Men may be the prizes, but they’re not the point. Continue Reading »
What Austen's Emma Woodhouse needs is a guide to imagination. Continue Reading »
Catching Jane Austen in the act of greatness. Continue Reading »
On the significance of names and places in Jane Austen's novels. Continue Reading »
The holiday season was too busy for me to compile this sort of list, especially with a move to a new home thrown in, an event that always makes one ambivalent about book ownership anyhow. Isnt time to invest in a Kindle? was the crack my younger economist friend made as we filled . . . . Continue Reading »
This is going to be an odd essay. The argument, in a nut-shell, is that those officially charged with being our youth leaders, whether by religious groups or schools, as well as those who unofficially are youth leaders, simply by being youths themselves that their peers might follow if invited and . . . . Continue Reading »
Whit Stillman fans know that his first three films are a loosely connected trilogy of sorts, with THE LAST DAYS OF DISCO being the film that ties them together by means of our meeting key characters from the other two in its Club. How then, does his recent DAMSELS IN DISTRESS, a rather stranger . . . . Continue Reading »
Having written one , two , three , four ALMOST FAMOUS-driven posts and now this one, I obviously do think it is an excellent film. Its one weakness is a certain complacency, underlined by its ending. I dont have a problem with happy endings per se, but the one it provides really is too easy. . . . . Continue Reading »
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