In a 1994 article in the South Atlantic Review , John Cunningham proposes to read Great Expectations as a baptismal allegory. In the first half of the novel, baptismal imagery is inverted, but as the book progresses everything turns rightside up: ” Great Expectations attains a comic . . . . Continue Reading »
FO Matthiessen notes the influence of the metaphysical style “of being ‘totus in illo’” both in individual lines (blubber burning “smells like the left wing of the day of judgment”; Ishmael working on nets imagines it all as “the Loom of Time” and . . . . Continue Reading »
Melville, simplistically, claimed that the myth of Narcissus was the key to Moby Dick: “still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting, mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see . . . . Continue Reading »
I’ve summarized some of David W. Noble’s analysis of Moby Dick ( The Eternal Adam and the New World Garden ) in the past, but the notes below highlight Noble’s take on the religio-political themes of Melville’s novel. Ishmael, he notes, begins the novel looking for . . . . Continue Reading »
Ian McEwan’s NYRB remembrance of Updike is the best obit I’ve read. He gets the dynamic of Updike right, locating the “seriousness and dark humor” in a “tension between intellectual reach and metaphysical dread.” He understands the centrality of Updike’s . . . . Continue Reading »
I have had conversations with several people recently about the state of poetry, and I’ve seen other signs that there is a growing interest among Christians in reviving poetry. That’s great; the Bible’s written in poetry, and our un-poetic sensibilities have been one reason for . . . . Continue Reading »
No American writer of the last fifty years even approximated the luxuriance of John Updike. In its lengthy obit, the NYT cites this from an early short story: “Snow fell against the high school all day, wet big-flake snow that did not accumulate well. Sharpening two pencils, William looked . . . . Continue Reading »
A TLS reviewer of Will Self’s recent Liver compares Self’s work with that of the late David Foster Wallace: “He shared with Self a willingness to experiment with genre, pastische and several other acutely artificial literary devices, as well as a sense of the grotesque, a liking . . . . Continue Reading »
Research for a book project has forced me to read excerpts - as little as possible - of Dan Brown’s Da Vinci Code . It makes for painful reading, and not only because of Brown’s stupid historical claims. The prose is bad, painfully bad. To read the book is to endure an attack - not a . . . . Continue Reading »
Margreta de Grazia’s recent book on Hamlet looks to be a beauty. She claims that modern interpretations (since 1800) have missed the main premise of the play - namely, that Hamlet is dispossessed of his place and realm, and that the entire court agrees with the dispossession. Only in private, . . . . Continue Reading »
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