Tom Stoppard’s Rock ‘n’ Roll is based on the arguments between Vaclav Havel and Milan Kundera concerning the way Czech intellectuals should pursue resistance to Soviet domination. One exchange in the play draws on a letter that Havel circulated asking Gustav Huzak to release Milan . . . . Continue Reading »
In a review of several books on Henry Miller for the TLS , Karl Orend highlights Miller’s religiosity and his sense of religious mission. He “was Buddhist for most of his life,” and considered his task to be a continuation of Whitman’s plant “to write new Bibles for . . . . Continue Reading »
Medieval legends about Judas appear throughout Europe in many different languages. The standard story is remarkably similar to the story of Oedipus. As summarized by Paull Franklin Baum, the medieval Judas story normally was this: “Judas . . . was the son of Jewish parents living at . . . . Continue Reading »
Some notes cut from a larger project. The story of the first books, as Stephen Mitchell explains in the introduction to his recent translation of the poem, is a story of civilizing. The entire poem is framed by references to the city of Uruk, but the city moves from a state of semi-civilized . . . . Continue Reading »
A few highlights from James Wood’s chapter on language in How Fiction Works . Early on, he mentions the “old modernist hope” that prose can be “as well written as poetry.” This will require readers and novelists to develop what Nietzsche called a “third . . . . Continue Reading »
Lewis remarks on the high difficulty of adverse criticism, noting that the difficulty lies partly in the fact that the defects of bad literature are found in good literature: “The novel before you is bad - a transparent compensatory fantasy projected by a poor, plain woman, erotically . . . . Continue Reading »
Fisch yet again: After reviewing the influence of the Old Testament, especially the Psalms, on prose writing in the seventeenth century, he adds: “it is worth bearing in mind that this is not only a matter of the seventeenth century. It is found earlier in the antiphonal plain-song of the . . . . Continue Reading »
Fisch again: Hebraic prose is different from the grand style of the sixteenth century, and different too from the pared-down plain style shared by many Puritans and all Baconians. It is a rhetoric, not an anti-rhetoric, but it is a rhetoric purified by Puritanism, Senecanism, and scientism. It is . . . . Continue Reading »
In his 1964 book, Jerusalem and Albion: The Hebraic Factor in Seventeenth-Century Literature , Harold Fisch argues that Blake provides a more insightful and broader account of the seventeenth century’s “dissociation of sensibility” than Eliot, who coined the phrase. For Blake, the . . . . Continue Reading »
William Deresiewicz has an excellent review of a new biography of Joseph Conrad in the June 11 issue of TNR . One thread of the review has to do with Conrad’s phantasmagorical vision of European imperialism and his related concern for the moral dangers of isolation from well-known social . . . . Continue Reading »
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