Kipling was a Janeite, writing not only a short story about British soldiers forming a secret Janeite society in the trenches but also several poems. Here is one called “Jane’s Marriage.” JANE went to Paradise: That was only fair. Good Sir Walter met her first, And led her up the . . . . Continue Reading »
John Updike wrote that the ending of Chinua Achebe’s Arrow of God “proved unexpected and, as I think about them, beautifully resonant, tragic and theological. That Ezeulu, whom we had seen stand up so invincibly to both Nwaka and Clarke, should be so suddenly vanquished by his own god . . . . Continue Reading »
Austen’s great-nephew Lord Brabourne perpetuated the Victorianized Austen in his edition of Austen’s letters. He found Regency England far too frank and coarse for his tastes, and removes Austen’s occasional comments about the seeming perpetual pregnancies of her sisters-in-law . . . . Continue Reading »
In his Jane Austen and Representations of Regency England , Roger Sales tells about the formation of the “Austen industry.” The industry, Sales claims, started nearly as soon as Austen was in the grave. Her brother Henry’s memoir, published the year after her death, offers a . . . . Continue Reading »
In a 1993 article in the Review of English Studies , Colin Pedley points out the similarities between the cadences of this passage from “Tintern Abbey” and Paul’s triumphant conclusion to Romans 8: My dear, dear Sister! and this prayer I make, Knowing that Nature never did betray . . . . Continue Reading »
In early August, Lev Grossman wrote a piece for Time on the continuing apotheosis of Jane Austen: “It was a cliché 10 years ago to say that the Austen phenomenon was big. It has now burst completely out of its bodice. Jane Austen, who recorded the last gorgeous gasp of pre-industrial . . . . Continue Reading »
Chesterton admits that Dickens’s characters neither affect nor are affected by time or circumstances. This is, he says, because Dickens was constructing myths rather than novels: “Dickens was a mythologist rather than a novelist; he was the last of the mythologists, and perhaps the . . . . Continue Reading »
Horst Breuer writes in a 1976 articles from the Modern Language Review : “Strange as this may seem to readers unaccustomed to this kind of historical perspective, Macbeth’s murder is a historically progressive act, an emancipation from feudalism and Catholicism, a violent plunge into . . . . Continue Reading »
Chesterton on Dickens: “‘I am an affectionate father,’ [Dickens] says, ‘to every child of my fancy.’ He was not only an affectionate father, he was an ever-indulgent father. The children of his fancy are spoilt children. They shake the house like heavy and shouting . . . . Continue Reading »
Though Austen lived almost two decades into the nineteenth century, she is usually characterized as a writer of the eighteenth. Her aesthetic and tastes were set in stone by 1800 (when she was 25), and she was untouched by romanticism. Indeed, she is often read as an anti-Romantic writer. The . . . . Continue Reading »
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